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𝗘𝗡𝗘𝗠𝗜𝗘𝗦 𝗜 𝗗𝗢𝗡’𝗧 𝗞𝗡𝗢𝗪

𝗜𝗟𝗟𝗨𝗦𝗜𝗢𝗡𝗦 𝗜𝗡 𝗠𝗬 𝗪𝗢𝗥𝗟𝗗, 𝗣𝗮𝗿𝘁 𝟮

I dedicate this presentation here to my late beloved mother, who died five years ago on October 7th, 2018. May her soul continue resting in eternal power. On Monday, October 2nd, 2023, my mother would have turned 83 years old. Happy posthumous birthday, Machona Mother – Shebeen Queen dearest!

When as a child growing up in South Africa up to the age of 14½ years I was in various spaces hassled for my Blackness and other envied personal attributes, my mother instilled in me a fierce sense of pride and personal integrity. She constantly told me how beautiful I was, and that, as my academic performance demonstrated time after time at that time, I was the most intelligent kid around. I believed her, and, with humility and gratitude, I’ve aimed to live her words since then: beautiful, intelligent man that thrives amongst other beautiful, intelligent people.    

August month, 2023, marked the 35th anniversary of my stay in Norway. The tangible plan I had upon leaving Zambia, my fatherland, in June, 1988, was that I’d complete the 3½ years’ post-graduate business studies programme I had privately secured for myself, with a little help from my friends. Afterwards I’d then move on out to the bigger, wide, wide world.

Twelve years was the timespan that I had given myself that when subsequently big and strong with an Economics PhD degree and international big business and global technocracy experience clutched under my armpits, I’d then return to South Africa, land of my birth, and become the country’s Reserve Bank Governor. I had the earth moving under my feet; what could stop me, then? What could go wrong?

The accompanying supportive Norwegian State Education Loan Fund scholarship offer was the first to come my way. I accepted it without second thoughts because I just had to get out of Zambia at the earliest opportunity. This was a matter of both ambition and the nearly untenable personal living conditions in extremely hard family and national survival environments at that time.

That I’d somehow ultimately stay in Norway for a longer period, not in the least permanently, was never even an iota of an idea in my head. Dream of America calling, Baby. In January, 1991, towards the end of the business studies programme, a bureaucratic glitch led to my ceasing to receive financial support from the scholarship fund. I was left with a huge debt in tuition fees and other costs to the school. Indefinite termination of my studies at the school became unavoidable. This was the beginning of my economic dire straits that would last at least five years in this first cycle. As fate would have it, I’d fall in love with a sweet Norwegian woman during this time.

In the meantime, I had opened and had been running two Karate schools in Oslo since my arrival in 1988. That’s how I got to stay in Norway to this day. Both love and Karate no longer rule my life in Norway. But I’m still here; largely because of the joys, trials, and tribulations that the love and Karate exposed me to in the country. I experienced the joys, I wanted more and more. Norway delivered; I got addicted to the land.

I having been overwhelmed by difficult circumstances beyond my control, once unleashed, the trials and tribulations were ruthless. Under the hardships of life in Norway, I’ve seen many a lesser man from the African Diaspora spiritually buckle, fall, rise, and walk dead. All faith gone, no hope, neither mental nor physical strength left, they die. Literally. I decided that if I fall, I shall fall. But I would never die. I didn’t travel more than half the world to let problems of life kill me so far away from home. One way or another I’d find a way to rise again; just I can breathe. I could never return neither to Zambia nor South Africa poor and without a business PhD degree. Never.

Indeed, I fell once; I fell a second time. On the third fall I lost everything, including face. My people networks collapsed. For once left alone, Rockstar popularity dissipated, I got the opportunity to be better acquainted with myself as a grown-up man. I saw clearly my dreams, my potential in life. I became my bestiest bestie. Now I know myself well. Better than ever. My self-knowledge trip gets better and better and more rewarding each and every new day that comes and goes.

I got to understand that my social survival navigator skills by way of my sellable talents may be many, but the relevant shall come forth and carry me through only specific situational needs in order to respond accordingly to given conditions in different epochs and spaces. The constant steering ethos being my personal motto of change, win, adapt, or die.

I’ve learned to change perspectives, acquire new skills sets, and adopt varying modus operandi to ensure victory in the face of adversity, no matter how long it takes. This knowledge also helps me to take to the next level what I already know and works in my favour presently. Concurrent with applicable talents, the ability to adapt to, and flow with the currents of changing or changed circumstances is a powerful tool for success for me. I have yet to die. I might talk about death on the other side, should I die.

Whilst recovering from the major fall following the devastating personal economy knock that I got from the Global Financial Crisis of 2007-2008, I had fully embraced the idea that all I had to do was to chill and wait for my next big break. I had suffered enough. I had learned more about myself and the ways of the world to know that I had to stay alert, fresh, and strong for the impending big break; whatever it would be, wherever it would take me, and whatever it would do with me.

It was a painful wait. Much reading, thinking, and writing rechannelled the emotional and mental torment to the enhancement of my creative potential as a writer. If I can read about it, I can write about it; tell a story about it in my own words.

If I can write about it, I can deconstruct it; I will better comprehend the challenges, I will see solutions. If I can write about it, I can dream. If I can dream, I can hope. My faith is shaped in the messages of my dreams. My writings tell the story that everything’s gonna be alright ahead. Keep moving.  

I have been through so many personal falls and rises that I know when an opportunity for my self-reinvention is nigh. The feeling of anticipation I get in times like these is like no other. I become larger than life in my thoughts so that when the opportunity for me to rise again arrives I won’t lose control of my sensibilities.  

Whilst I had visions of yet another multi-million-dollar international trade business venture, as the book writing inspiration suddenly revealed itself one fine morning in August, 2015, I knew that my real calling had finally come home. I got into a frenzy. Feeling like one possessed by the spirits of our greatest ever historical and contemporary world authors, I went on to write the first of my dream-of-one-thousand-plus books before I turn 100 years old.

The debut novel, When the Mighty Fall – rise again mindgames, I wrote in fourteen days. It became about the story of my first twenty-five years in Norway presented in a semi-autobiographical, or fantasy memoir format. Intense emotions and scenes arise in the book: boundaries are pushed and crossed; limitations are overcome, people reset themselves and their lives, stereotypes are crushed. All played out by at least equally intense and exceptional characters. The book has changed my life; it has made me a better person. It started the process by which I continue to learn and understand humanity and our universe better the more I write and think, and think and write.

Working with the book from the start, and living with the variable impacts it continues to have on its readers are a constant, in real-time steep learning curve. I guess it’s a mark of a significant book when the author gets a mixed bag of strong reactions from the readers. Acquire and read the book for yourself so that you can make your own conclusions. Love or hate me as you wish; it is your prerogative in a free world. If you wish to destroy me for your hate, I won’t take you lying on my back.

My embracing this book writing calling of mine was with a clear awareness that my works would never be appreciated by all. I’ve in my life read more than enough books to appreciate that fact well. I’ve over the years come across numerous literary critiques on various media also. What has shocked me, though, is the gross misinterpretation of my thoughts and intentions in and with the aforementioned book. This has been especially so given that it is the least expected section of my readership that has been thoroughly brutal in their condemnation of me and the book. Perhaps this makes the point for writers knowing about their actual and potential target readers. However, as for me, to the extent that I so far write personally inspired factual and fictional narratives as opposed to formal academic, or professional literature, I in principle write for myself. I could never write if I went around thinking about who my readers are, or shall be, and how they will judge my works eventually.  

Working clandestinely, my aforementioned brutal critics, on utterly wrongful, naïve conjectures, have gone around tarnishing my reputation in Norway. People read my books. In their readings they come face-to-face with demons they conjure for themselves. They panic; lose it. They judge and punish me without a trial. Pathetic.

Because my conscience is clear, and because of my resolute dedication to growing and developing my creative writing talent and occupation to the 1000th book and beyond, the hurt and emotional turmoil I initially felt are gone. I’m healed. I’m strong. I’m on the rise again, destined for higher and higher heights of success than ever. I’ve written eight more books since the When the Mighty Fall publication. I’m on the roll; right on track. No one, nothing can stop me.

©Simon Chilembo 2021

Travelling from Lusaka back to Oslo with Qatar Airways two weeks ago, it was on the first leg of the trip, Lusaka-Doha, that I took time to take a deep dive into reflections of my highs and lows in Norway over the years. I couldn’t help but dwell upon encounters with some really bad people that have always been there to hinder my climb to success in the things that I do by way of making a living in the country. The bad people were in total contrast to the loving and caring ones that I met during my short family matters visit in Lusaka, from August 20-29, 2023.

These bad people have striven to ever hamper my genuine efforts to work to be a decent human being with a well-intended commitment to my personal aspiration of adding value to society to the extent that I’m resourceful and productive. Some have been outright about their dislike of, and disdain for me. I can live with that.

Others have turned out to be Judases in the end. A sickening lot that once ranked high as confidants in my world. These provoke my primordial survival instincts when I consider that they are ever gathering somewhere conniving to micro-assassinate me slowly. A mission I could never allow them the pleasure of achieving. Unless I am overtly potentially or actually caused bodily harm, I am not likely to resort to violence as an immediate self-preservation recourse. However, my warrior creative spirit observes, or experiences and analyses everything.

I apply different writing styles as dictated upon by the moments when I celebrate or decry events around me, both near and distant. I do the same with uplifting or destructive actions specifically directed towards me. That way I get to vent out my frustrations and anger without spilling a drop of blood. Then I can sustain my sense of personal safety and integrity in the face of adversity; irrespective of whether the adversity is overt or discreet. My words are my armour.

The poem I’m going to read came forth during the process of thinking about the latest Judases, wolves in sheep’s clothing that have emerged with their true colours in the dark in recent years. It is a self-preservation, protest poetry piece. This poem also sets my eyes on October 24th, 2023, which will mark the fifth year of my return to Norway after a five-year creative exile in South Africa.

Aware that my enemies had already drawn their swords to slay me, I felt like I had brought myself into the mythical lions’ den at my arrival in Oslo. But I knew I was blameless contra the enemies’ smear campaign against me. I’m grandson of a Daniel, father of my mother. The Biblical Daniel was “… saved from lions by the God of Israel “because I was found blameless before him” (Daniel 6:22). So, I’m still intact; standing tall, breathing happy and free, crafting words into literary expressions in my efforts to make sense of my world.

Similar to other writings of mine addressing my personal life conditions and states of being owing to simply being who I am and the personal choices that I make all the time, I’ve written the poem not out of a need to defend, explain, or justify myself. I do not seek any validation nor accolades from some Jacks and Jills anywhere either. I listen only to my teachers, to men and women of authentic benevolence: proven mediums of global human excellence, love and peace.

I primarily write to purify my soul, ease my pains, and fortify my spirit. I write as a good-intentions, free, have-no-fear spirit with nothing to hide in a free world. I feel good about what I do; I know I’m good at it. And that’s all that matters to me. It is what it is. I am that I am. Take me, or leave me as it is your prerogative in your free world. 

I publicise my works in response to what I feel to be a higher call to share my thoughts with those that want to hear my words. This call inspires me to aspire to teach and to speak for the young, the weak and vulnerable: the afraid, the oppressed, the voiceless. That from my life experiences as lived-in moments in time. Also as learned from hearing the voices of others that are much wiser than me.

The wiser than me being my teachers across the board, including some of the most impactful historical and contemporary philosophical and spiritual wells of wisdom of the world. All from one-on-one teachings and discussions with the living, or through consumption of the wise’ thoughts through the variety of multimedia platforms available in our times: from the written word in books, to sight, sound, and motion presentations in live theatres; on cinema, television, and computer screens.

Thanks to the power of the internet, we today have the said multimedia platforms compressed and collapsed into the palms of our hands via mobile telephone technology. Knowledge acquisition and dissemination of the same, verification of facts and propagation of truths, debunking of falsities and crushing of conspiracy theories, are all at the tips of our fingers these days. Therefore, those that manage and live their lives on unchecked assumptions; uninformed, factually fallacious decision-making tendencies do so at their own peril.       

©Simon Chilembo 11.09.2023  

Self-made
New enemies of me
People I don’t know
Lurk in dark corners
I don’t know
Wish me dead

They don’t know
I’m a free soul of the light
I don’t know how to hide
I don’t know how to die
Darkness cannot contain me

Invincible to eyes that see
I worry but little
Of fools groping in the dark
Hoping for a lucky strike
To annihilate me

I’m not
In a state of war
I fear no drones
No stealth missiles threats to
My soul of the light
Defence system

My shield is
My words
I push back with
My voice
I sing one moment
I preach the next
I wail this moment
The moment I growl
Earth trembles under my feet

Self-made
New enemies of me
Faceless people I don’t know
Fools with reasons for
Enmity I don’t know
Duped in fake storytelling tales
Of witches in fright
Of demons of them
Confronting them
In the glow of light
Permeating
The darkest recesses of the universe
In fright
Fight
Shadows of themselves in the dark
Tumbling in muddy faeces
Of their own
Gathered in trenches
Of massless conspiracy constructs
Meant to implode
A free soul of the light
They cannot see

I could never collapse
Into myself
Squash me
Sprout me
As particles of
My flesh and bones
In deep waters

Delusionals don’t know
That’s the closest they’ll ever
Come to harming me
Envious fools don’t know me
Inconsequential fools’ll never see me
Repugnant fools embraced by
Darkness I don’t know
Darkness I don’t care about *

I cannot run away from the light
I have nothing to hide
I don’t know how to hide
I have nowhere to hide
Not even a tomb can contain me
I had to break the law
Drank and drove
For prison walls to hold me
If only for a while

You’ll never find
Remains of me
In pyramids of Egypt
In a thousand years
When I say catch me if you can
I play with words
No longer do I play with
Bloodsuckers
Stabbed me in the back
I could have bled to death
Had it not been for
The light stronger than
Enemies’ self-consuming malice
In the dark

Resilience is the name of
Dark-hearts-impervious
Light games I play

Here I am to see
For all eyes with love
I’m a soul of invictus
I breathe love
As a matter of course
I’m here to stay
Longevity is the name of
My dance for life
Immortality is the name
Of my end-game
Beat that
If you can
𝗘𝗡𝗗
©Simon Chilembo 11.08.2023

On the 24th of October, 2019, I wrote the following article on my private blog, chilembowarriormoves.com:

𝗢𝗡𝗘 𝗬𝗘𝗔𝗥 𝗟𝗔𝗧𝗘𝗥: 𝗜𝗟𝗟𝗨𝗦𝗜𝗢𝗡𝗦 𝗜𝗡 𝗠𝗬 𝗪𝗢𝗥𝗟𝗗.
𝗥𝗘𝗔𝗟𝗜𝗧𝗬 𝗜𝗦 𝗜 𝗔𝗠 𝗛𝗘𝗥𝗘, 𝗜 𝗟𝗜𝗩𝗘, 𝗜 𝗟𝗢𝗩𝗘, 𝗜 𝗗𝗔𝗡𝗖𝗘.
𝗜 𝗔𝗜𝗡’𝗧 𝗚𝗢𝗜𝗡𝗚 𝗡𝗢𝗪𝗛𝗘𝗥𝗘.

𝐀𝐑𝐓𝐖𝐎𝐑𝐊𝐒 𝐀𝐋𝐈𝐕𝐄

Reserve Husband in House of Beautiful Things

In my Tumbuka tribe in Zambia, a man is his brothers’ wives’ reserve husband. Traditionally, this is an informal but serious involuntary and platonic bond that commits the reserve husband to taking care of the sisters-in-law and, especially, the children, should some incapacitating or fatal misfortune visit the brother.

I am a single, never-been-married man with several wives from a few select blood brothers and bosom friends. I introduce one of the wives as I invite you on a day at my work place of beautiful things.

Our vehicle is the poem ARTWORKS ALIVE, which happens to be the very first piece in Onslaught 1 in the MACHONA GRIT poetry book.

Poems in Onslaught 1 reflect some aspects of my defiant intellectual, philosophical, and spiritual Personal Integrity Fortress against those that hate me.

𝐀𝐑𝐓𝐖𝐎𝐑𝐊𝐒 𝐀𝐋𝐈𝐕𝐄
Separated
By the pond
Wife from another husband
My Dear Brother Ricky
Son Bolokiyo’s
𝘔𝘢𝘮𝘢 𝘝𝘪𝘤𝘵𝘰𝘳𝘪𝘢 and I
Met in the face of a book
In cyberspace
Celebrating her birthday
We took mikes and sang
We Dj’d
We danced
Fell on our backs in joy and laughter
We dropped the mikes
Went our separate ways
In the perennial dollar chase

𝘈𝘮𝘢𝘭𝘶𝘮𝘦 𝘈𝘭𝘦𝘮𝘦𝘭𝘢
Blazing in my head
Yandikani Lungu’ spirit
With me in
𝘔𝘶𝘻𝘶𝘯𝘨𝘶 𝘔𝘢𝘤𝘩𝘰𝘯𝘢𝘭𝘢𝘯𝘥
In the north
From where lost souls never return
Black Diamonds
Hustling to bling
In the land of
Black gold

Got to work
I’m so happy
I feel
Artworks’ eyes
On the walls
On me
I clear my head
I see
Artworks on the walls
Dance for me
Artworks’ subjects
Come to life in the frames
[…]
𝗘𝗡𝗗
©Simon Chilembo 14/12-2022

SIMON CHILEMBO  
OSLO
NORWAY
TEL.: +92525032
April 07, 2023

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𝐖𝐇𝐀𝐓 𝐈𝐒 𝐀𝐑𝐓?

𝐀𝐌𝐈𝐃𝐒𝐓 𝐁𝐄𝐀𝐔𝐓𝐈𝐅𝐔𝐋 𝐓𝐇𝐈𝐍𝐆𝐒

DISCLAIMER

I do not have any academic nor professional training in art. My articulation of what art is a function of my layman’s instinctual appreciation of things beautiful against the ugly; both in the figurative and abstract manifestations as my senses perceive it in any given situation and space, at any given time. All I know is how to think and write, and write and think. Art is what I feel. If I feel it, I can think it. If I think it, I can write it. Writing is my art, my artistic expression. Writing is what I do; all attributable to my academic training.   

WORKPLACE OF BEAUTIFUL THINGS

People do from time to time visit museums of all kinds for all kinds of recreational, educational, and research reasons. I work at Norway’s Nasjonalmuseet. The institution has proved to be an awesome literary creative’s wet dream for me as an author and poet. I get at least one goosebumps moment each day I am at work. Tens of thousands of works of art are on display throughout the eighty-nine exhibition spaces at the museum. In all their widely variable expressive forms, these artworks move me in a way that ever fills me with love and joy like I have never experienced before. Working here is a privilege I am much grateful for.

At different points in about all the exhibition spaces in the museum, there are rest stations comprising benches upon extensions of which are placed, amongst other items, wooden playing cards. The cards have various quizzes and games for the guests to have a go at as they sit and rest. I, together with Ole, a fine but ever condescending colleague young enough to be my grandson, happened to have been engaged in a discussion about various aspects of the museum when we approached one such station. Ole then unexpectedly reached out and randomly pulled out a card from the bench extension. It turned out to be a quiz card with the question: ‘What is Art?’; creating a gotcha moment that I saw Ole revelling in.

Talking about Ole’s gotcha moment, this was yet another one of those moments in which a person of European extraction comes to me with the pre-conditioned notion that Black people are not cultivated enough to appreciate the finer aspects of European culture. Anyhow, my immediate response, in this case, was, “Art is the capturing of an experiential moment in time and space in order to, perhaps, tell a story about that experience in the future. This capture can be in any form or medium according to the proclivities and talents of the artist.”
Ole, “I hear you. But you will have to elaborate more on all that you have just said!”  
Seeing as we had to attend to each of our respective duties at work then, I replied, “I shall write an essay for you, then. Deal?”
“Deal!”

My definition of art shall be both conceptual and functional. Conceptually, I know art when I perceive it. I do not have to be told. I do not have to be instructed. I know art when my senses register it. Regardless of the representational form, the sentimental response that I get from experiencing any manifestation of art that I consider as beautiful is a constant. Conversely, an unattractive, unpleasant artistic form as I experience it emotionally affects me in the same way relevant to it irrespective of the form or the representational style.

Whenever I read a storybook (or even write one) that I enjoy, my breathing rate slows down, and the total bodily relaxation I get gives me a wonderful warm feeling all over; I get goosebumps, and my palms get warmer and moist. This kind of feeling brings me immense joy. The dreamy state it gets me into sends me into a fantasy world of all things possible. If I had been, for one reason or another, going through hard times, this state brings hope home; it fills me with a sweet sense of freedom. In this state, I am invincible. This is my subjective domain for defining what beautiful art is for me as my perceptive senses – eyes, ears, skin, tongue, nose, intuition – register it, feed my hormonal system (feel-good hormones), and the latter instructing my nervous system to induce my being to act accordingly. Pure joy.

Whilst recognizing it for what it is, art that is repugnant to me is exactly that. If it makes me cringe, if it casts a shadow of pessimism over me, if it fills me with negative thoughts and associations, if it gives me a cold sweat, then it is bad art for me. There are times when I can see beauty in bad, ugly art, though. I think about the hands, or some other body parts, that created the work. Every hand shall tell its story according to its owner’s neuro-hormonal wiring and physical capabilities. One man’s apparent gory art may be another’s depiction of heaven. Beauty is in the eye of the beholder.

Functionally, art is a conveyor of messages, a storyteller; a courier of generational narratives in humanity’s dances with nature and itself over time. Art can be an instrument of change. Art can repair the once broken. Art can inspire hope, faith, trust, and love. To the extent that art is a personal expression, art may speak for its creator. Art creators have the potential to make or break society. Ask God, man’s most divisive, master-of-carnage creation. God may have created man instead, her most complex work of art. The outcome is not any better.

Art is identity. Identity may be deception obscured in art. From the outset, art may be true by intent and purpose. But when human perception and interpretation of reality are as polychotomous as there are so many people on earth, art shall be true or fallacious as to the perceptive state and cognitive capacity of the observer. Therein lies the mystique, the intrigue of art. Who am I? I am a man in love with art.

Art is some powerful stuff. Art is a human creative potential deserving to be handled with tender, loving care. At its best, art is an instrument of peace; art has the potential to stimulate reflection on the human condition. We rise, we fall; art captures all that. Art is beauty. Without beauty, life is not worth living.

Beauty moves humanity forward and higher on the scale of qualitative and quantitative improvements in life. It is not for nothing that nations of the world, interest organizations of all sorts and sizes, wealthy individuals, and many others invest heavily in the promotion, conservation, preservation, and storage of some of our most impactful artworks over the epochs into the future. Art immortalizes human experience.

Introducing our beloved Rock & Roll Norwegian Royal Family. Long live The King!

SIMON CHILEMBO  
OSLO
NORWAY
TEL.: +92525032
April 07, 2023

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Order, read, and be inspired by my latest and 9th book, 2nd poetry volume, MACHONA GRIT: Onslaught on Hate

𝐎𝐃𝐄 𝐓𝐎 𝐀.𝐊.𝐀. – 𝐀 𝐏𝐨𝐞𝐦

REST IN POWER

𝐃𝐈𝐒𝐂𝐋𝐀𝐈𝐌𝐄𝐑

I never got to know AKA personally. Other than via his multimedia presence, I’ve never seen him live even at a distance. Neither do I personally know any of AKA’s family members, friends, colleagues, and others that closely connected to him. My tribute to him is unsolicited. I publicize it with only the best of intentions; in admiration of yet another gifted, inspirational artist gone too soon. Had I had blood children of my own, some of them would have been about AKA’s age. The sadness I feel about AKA’s demise is not only of a fan or from a creative’s perspective, but of a man with much intrinsic paternal instincts sentiments also.

People die all the time under all sorts of circumstances. The thought of hundreds, if not thousands, of people dying daily in the ongoing Ukraine war, stupefies me. Starting with my mother in October, 2018, in the past four years since I returned from a five-year’ stay in South Africa, 2013-18, there has been a significant number of deaths in my family and friends circles in both the already-mentioned, Zambia, other parts of the world, and Norway. This has been an emotionally challenging time in that regard. But no fuss.

A total stranger of a colossal socio-cultural influence at a global scale dies, and everyone near and far makes a fuss. Cynics look and rebuff, “What the ‘𝘦𝘧’ is this? Some famous person dies, and the whole world is out on tantrums. And yet, right within our midst, ordinary people die under the worst of human conditions every day. Some die in solitude only to be discovered years later. Nobody raises even an eyebrow. ‘𝘌𝘧’ the famous! ‘𝘌𝘧’ the rich!! ‘𝘌𝘧’ vanity worshippers!!!”

When I fuss about AKA or some other phenomenal global socio-cultural personality’s demise, it’s not so much about the person and their riches. It’s more about how outcomes of their works impact, or have impacted me as a creative and one who is ever drawn towards beautiful, uplifting material and conceptual things. All the better if Rock Stars’ human values can be appreciatively compatible with mine. When people like these die, circumstances, age or time, and space regardless, I am ever reminded of my own vulnerability and mortality. It is a humbling experience.

I fuss as a means to confront and work with my fears in the face of my smallness against creation and my fate. Hoping that I shall succeed in living every day of my life as a decent human being inspired, imperfections granted, by lessons learned from the observed deeds exemplified by dearly departed. Deep felt condolences to AKA’s family, friends, colleagues, fans, and all others that value his work and humanity in South Africa and worldwide. May His Soul Rest in Eternal Power!
SC. 03/03-2023

In my books
𝘌𝘪𝘴𝘩, 𝘢𝘣𝘢𝘯𝘵𝘶 𝘣𝘢𝘧𝘢 𝘯𝘫𝘦
Like they never had meaning
No value
That’s 𝘯𝘨𝘰𝘣𝘢
My life stories
Are rooted
In the land of my birth
𝘔𝘻𝘢𝘯𝘴𝘪 𝘧𝘰 𝘴𝘩𝘰
Made hell on earth
Where at a
Blink of an eye
People fall and die
Daily
Like we are all
Bodies of houses of cards
Trivialized
From one game of cards
To the next
Gambling
With our lives at stake
Souls made cheap
Like we have no meaning
We have no value

When blood is ink for my pen
When each Word letter
On my computer screen
Streams blood Perfect
Sure as bullets in guns spell death perfect
People in my books
Can’t help but die
In the reality of murder
Executed perfect
As a tool for
Settling scores
Eliminating enemies
The detested
The envied
Disruptors
Troublemakers
Call them rabble-rousers
The corrupt and Rock Stars alike
Thinking that people exterminations
Solve problems in the living
Good riddance
As in books
Where people die on the one page
Forgotten in
Storylines on the next fiction page
People never learn perfect

Next chapter
Enter the police

Storylines change
Exonerated or
Guilty as charged
Closing chapter

Vengeance looms in
Urban jungle law
Last chapter open
Infinite
Another body of many
Shall bite the dust
All tomorrows ahead
Born naturally
Destined to perish
Due to
Unnatural death causes
In the hands of
Natural born killers

Hitmen dying as they lived
Life and death
Humping and bumping
On the circumference of
The circle of existence
To the extent that
We can breathe
Smell
The Rands and the Nairas

I dip my pen in blood
Blood smudges my writing papers
Sight of words
Weeping blood
On my computer screen
Hard to bear
Been too many deaths lately
𝘈𝘳𝘨𝘩, 𝘯𝘹𝘳𝘩𝘩, tell me something new

In the world of the living
My new book
Says to give it a break

In the dead silence
Of my solitary work space
I breathe
Something
Finer than thin air
Oxidizes my sorrow
Slow
I feel peace
Inside
Outside
All over
If there was a time for me to get hit
This would be it

I’d die without a pain
No complaint
No resistance
Stoicism in death
Waste of yet
Another fuckin’ life
Shoot-to-kill slain
In broad daylight
The Rands and the Nairas
Don’t matter no more now

The greenback
Going to America
With Nyovest
Leaving 𝘮𝘢𝘭𝘰𝘮𝘦 alone
Mahotella Queens wailing
Work for your money, son
Cease criminality
American guns shoot
Numerous folks at once
In the hands of one man
In eyes-wide-open
Prejudicial fellow human’ slaughter
Whereas methodical knee-on-neck
Executes
One man at a time
On the street
In full world view
Under the sun
Just an aside

Dark clouds
Looming over
𝘔𝘻𝘢𝘯𝘴𝘪 shall never die 𝘧𝘰 𝘴𝘩𝘰
Eskom the loadshedder ain’t no accident
We can’t hide even in the dark

And then
I hear a voice in a song
Do the rap lines
𝘔𝘰𝘦𝘨𝘰𝘦 𝘴𝘬𝘪𝘦𝘵 𝘮𝘺 𝘷𝘢𝘯 𝘢𝘨𝘵𝘦𝘳 𝘢𝘧
𝘏𝘺 𝘥𝘪𝘯𝘬 𝘩𝘺 𝘪𝘴 ‘𝘯 hero
Thinks them reduced me
To worthless
House of cards fallen apart
Them don’t know
My center holds
Which is all I need
To root me
Six feet under
For me to rest in power
For my spirit to soar
Higher in the sky
Than in my living days

Check it out
I’m on billboards
Now
Larger than life
Ever
My arms open
To the heavens
All eyes on me
As ever

Your story’ll be over soon
One way or another
No billboards for you
No smartphone screen saver pics of you
Pages of your story book’s
Gonna burn
In every 𝘔𝘻𝘢𝘯𝘴𝘪 home 𝘴𝘵𝘰𝘷 𝘴𝘢 𝘮𝘢𝘭𝘢𝘩𝘭𝘢 𝘧𝘰 𝘴𝘩𝘰
𝘞𝘦𝘭𝘤𝘰𝘮𝘦 𝘋𝘰𝘷𝘦𝘳, 𝘣𝘢𝘣𝘺
Going out of fashion
But for Eskom
From Cape Point to Beit Bridge
Ethekwini, I don’t wanna talk
All flames on you

Supa Mega is
Forever mega
Ain’t over
Till you’re over
Y’all haters
The mike’s dropped
Peace
END
©Simon Chilembo 19/02-2023

𝐆𝐋𝐎𝐑𝐘 𝐃𝐀𝐘𝐒

Living in the Now

I don’t live
On past glory
Past glory is what it is
Done
Dusted
Trashed
Buried
Closed chapters
Unforgettable
Crystalized
In my songs
History
For posterity
Education

And they
Detractors
Don’t understand
How it is
That I can rule today
Despite their throwing stones
At me everyday

They thought
They knew me
During my glory days
They can’t figure out
What’s become of me
When they expected
I’d vaporize
In lustreless
Post-glory days life today
Them
Pathetic dimwits
Thinking they are
My redeemers
When even
Jesus ain’t my cuppa tea

I sing Hallelujah
Only ‘cause
It is a beautiful song
Written by a human
Out of human experience
It kindles
My glory
Which comes from within

I’m smooth
I shine
I’m glass
Reinforced
Animosity might rattle me
I won’t crack
I won’t break

I’m black
I’m bold
I glitter
I’m diamond
I’m gold fortressed
Amalgamated
I’m steel
Stainless
Dirt don’t sit on me

Animosities bullet-proofed
Stones might hit me
They won’t punch holes
Through my skin
They won’t cause me harm

Hate war machines might strike me
I won’t crack
I won’t bend
I won’t fall

Glory days might come and go
True to form
Constant
My presence shall beam
Irrespective of time and space
Indomitable
When it is
My time
To grace
My space
Which is all times
All places I stand

Glory is my gift of life
For life
And they
Haters
Will never understand
How it is that
I fear not the future
Faithful to my fate
I have nothing to hide
Never had

I’m an open book
I walk my written words
That’s my nature
True to my name
Writing’s on the wall

Expository
Glory days
Spill the beans
In more ways than one
It’s only a matter of time
Bring it on

Alert
When they appear tomorrow
Them the haters
I’ll see them from afar

Fazed
They don’t know
They don’t know me
They’ve never known me
They’ll never know me
No love lost

Resilient
I live my life today
For future glory today
That’s life worth living today
Elixir of life
Any given day
Glory
Hallelujah
Praise be to
Immortality
Living hard
Living tough
Living strong
Today
Crush me if you dare
𝐄𝐍𝐃
©Simon Chilembo 30/11-2022

𝐑𝐄𝐏𝐋𝐀𝐂𝐄𝐌𝐄𝐍𝐓 𝐓𝐇𝐄𝐎𝐑𝐘 𝐓𝐔𝐑𝐍𝐄𝐃 𝐀𝐑𝐎𝐔𝐍𝐃

𝐖𝐡𝐢𝐭𝐞 𝐒𝐮𝐩𝐫𝐞𝐦𝐚𝐜𝐲 𝐒𝐥𝐚𝐩𝐩𝐞𝐝 𝐢𝐧 𝐭𝐡𝐞 𝐅𝐚𝐜𝐞

Look to Ukraine War 2022
To see
Ukraine people tearing
Replacement Theory apart
In practice
The last of
European fascistic scum falling apart

Replacement assumes plunder
Predicates
Displacement carnage
Genocide

The last of
European American fascistic scum
Daily murder Black descendants
Ancestors of whom
Got displaced from Africa
Got placed into slavery in the Americas
Thirteen million of them
Two million of whom
Became meals for
Sharks of the Atlantic

©Simon Chilembo 2021

African prosperity halted
With the gap of the loss of
Bodies and brains
Replaced forever by
Poverty and misery
Disease scaling the cake
Dysfunctional states
A legacy
The Democratic Republic of the Congo
But one case in point
Gory Leopold of Belgium
Exterminated ten million people
As if they were flies here
Numerous others left with
Amputated limbs
Setting standard for
Sierra Leone’s Charles Taylor
Decades later
Rwanda genocide
Shocked the world

Historically objectively viewed
Replacement Theory
In practice
Gave us colonialism
Gave me Apartheid
As welcome to earth present
In South Africa
Displaced
My mother’s people
From their land
Subjected us to
Poverty-driven subservience
Decimated us
Denied us the living
Opportunities for
Human potential maximization attainment
Replacing our human worth
With
Systemic racism oppression untold
Supremacist repressive methodologies
Blue prints perfected here
Apartheid a fascist catchphrase
These days
If you ask me

Five-hundred years later
I’m in Europe
Begging bowl
In my hands
“𝘏𝘢𝘯𝘨 𝘔𝘪𝘬𝘦 𝘗𝘦𝘯𝘤𝘦!” noose
Around my neck
Waiting for me
To take just one misstep
To lynch me

©Simon Chilembo 2021

Survived
Have I already
Several a
Direct killer attempts
Me simply doing
What I gotta do
To be a decent human being
Everyday
Tailing after bounty
Stolen from my ancestors

Meanwhile
Hangmen-in-waiting
Scandalize my name
Already stabbed me in the back
That notwithstanding
Still standing
Stepping forth up-and-up
I can breathe

In America
Survivor posterity of my ancestral roots
Defy the highest odds
Living from day to day
Ever in search in the heavens
For reasons why
The colour of our skin
Is such an abomination
If there is a God
It is not for
People of colours

Children of the indigenous
Inhabitants of the
Americas land masses
Daily decry
Genocide of
Tens upon tens of millions of their ancestors
Fifty-six million perished
In the first one hundred years
At the hands of European scum settlers

Next time you see
The pre-match Haka
Do discern All Blacks
Souls of the Māori bemoaning
Replacement from their ancestral lands
In New Zealand

The Wallabies are no consolation
For the Aborigines
Replaced from their
Ancestral procreative spaces
To make room for replenishment of
Australian white supremacist
Grooming endeavours
Christchurch slaughters didn’t just happen

©Simon Chilembo 2021

Beyond Pele’s legendary fecundity
On the soccer pitch
Millions more of
Survivor posterity of my ancestral roots
Languish
Displaced in
Brazilian favelas
And the hinterland

In Argentina
History just as dreadful for
Survivor posterity of my ancestral roots
Displace
Debase
Excruciate
Exclude
Incapacitate
Isolate
Replace
Discard
Eliminate
That’s the way of
Replacement Theory peddlers
In practice for real
Playing itself out
With impunity
With the right hand of God
Unbeknown to compassion
Jesus’ civility defiled

Today
Fleeing ravages of wars
Inseparable from
Ways of original global masters of
Replacement by murder: Imperialists
People of the world
Run to modern Europe unchanged
Steam to
United States of America the cursed un-united
Resurface in
The land down under

Traumatized
World emigrants
𝘓𝘦𝘴 𝘪𝘮𝘮𝘪𝘨𝘳é𝘴 𝘥𝘶 𝘮𝘰𝘯𝘥𝘦
𝘝𝘦𝘳𝘥𝘦𝘯𝘴 𝘶𝘵𝘷𝘢𝘯𝘥𝘳𝘦𝘳𝘦
𝘉𝘢𝘵𝘴𝘢𝘮𝘢𝘪 𝘣𝘢 𝘭𝘦𝘧𝘢𝘵𝘴𝘩𝘦
𝘈𝘮𝘢𝘨𝘰𝘥𝘶𝘬𝘢
𝘖𝘮𝘢𝘤𝘩𝘰𝘯𝘢
Want not to kill anybody
Want not to rape anybody
Want not to plunder anybody’s land
They only ask for
Shelter, food, and love
Hopefully
Packaged in something called
Human dignity
Ukraine War 2022 style
In our times

White Supremacists
Scared shitless of
Self-created myths
Of non-white people of the world
Wanting to eat
White people
Off the face of America
My foot
We are better than that by far

Oh, come on
If racist whites
Have failed to eliminate
People of colours
From black to magenta
For more than half a millennium
What makes
Hot-nutted
Small White American men
With guns in hands
As in
Buffalo shooting
Think that they can
Eradicate us now
We define resilience, dudes
Black don’t crack
Goes the rap
Let’s all live together in harmony
Now

Oh, by the way
In the 21st Century
And years pushing on ahead
Monoethnics are dying breeds
Multiculturalism is
The future of humanity
United in diversity today

Grow up
And
Get used to it, y’all bigots
Wash your damn bloody hands
Stay clean
For human solidarity
For love
Abound in the world
Despite the mess
You ever
So relentlessly strive
To sustain
How dum
Can a human being be
𝘑𝘦𝘦𝘦𝘻𝘶𝘻𝘻𝘻
END
©Simon Chilembo 22/05-2022

SIMON CHILEMBO
OSLO
NORWAY
TEL.: +4792525032
June 02, 2022

PS
The pandemic is still in our midst. Fears and factual untruths haven’t abated. In my 7th book, Covid-19 and I: Killing Conspiracy Theories, I highlight fallacies red lights and how to identify them. Order the book, read, and be inspired by my philosophical exposition on the matter. It might save yours and your loved ones’ lives.

DISCLAIMER: I neither offer nor suggest any cures or remedies. I promote fearless, independent thought and inclination towards pursuing science-based knowledge in times of, indeed, frightening, life-threatening phenomena in the world.

©Simon Chilembo 2020

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𝗨𝗦𝗦𝗥 𝗢𝗥 𝗪𝗛𝗘𝗥𝗘? – 𝗨𝗞𝗥𝗔𝗜𝗡𝗘 𝗪𝗔𝗥 𝟮𝟬𝟮𝟮

𝗘𝘅𝗶𝗹𝗲 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻 𝗢𝗽𝘁𝗶𝗼𝗻𝘀: 𝗬𝗼𝘂𝘁𝗵 𝗤𝘂𝗮𝗻𝗱𝗮𝗿𝘆

During my stay in Lusaka, Zambia, 1975-88, some of my most memorable social interactions involved meeting older and veteran, mostly male South African freedom fighters. These were ANC members. Then in their mid-thirties and above, some of them had travelled the world. They would have been in pursuit of various goals, which included:

  • Mobilization of international support for the South African liberation struggle efforts
  • Military training
  • Education

About all the veterans exhibited the abhorrent traits of arrogance, tribalism, bullying, cantankerousness, outright stupidity, and violence endemic of South African kassie/ township life. Hard partying involving huge consumptions of alcohol and drugs and all that it entails were an integral part of the deal. Needless to say. Shebeen culture carried with into exile. Not that Zambians were any less of party animals.

These veterans were people of all sorts, with all sorts of familial backgrounds. They, or we, as individuals or as special-interests sub-groups were motivated and threaded together by the collective higher dream of the attainment of the liberation of South Africa from Apartheid oppression.

Much as they loved to party by default, the majority of these people took their liberation struggle work very, very seriously. They were highly knowledgeable in the various fields of Social and Natural Sciences, including Mathematics. Some had had guerrilla operations experiences within South Africa in the 1960s; also, Mozambique and Zimbabwe in conjunction with fellow freedom fighters in those countries. Others had participated in major international wars, such as the Vietnam war, and in Latin America. These were hard people.

©Simon Chilembo 2016

There were three distinct individuals with whom I shared intense mutual dislike for one another. Each in their own ways reminded me of some older guys and grown-up men that were generally not nice people back in my kassie, Thabong, Welkom. These horrible guys hated especially the ever vocal and visible little boys like myself then. It didn’t help my situation being son of an envied foreign man from Zambia. I had already been in Zambia for several years when I heard that, on separate occasions, five of the horrible guys got stabbed to death by younger boys on the streets. Good riddance. For the obnoxious people these men were, their souls deserve neither rest nor peace wherever they may be in after-deathland.

Regarding the three older exiles that didn’t like me very much in Lusaka, I imagine that a mortal confrontation would have ensued at some point had we been in South Africa then. The likely murdered wouldn’t have been me.

Zambia’s relatively laid-back culture had a way of dampening our wild South African township streaks. Otherwise, I got along fine with everyone; particularly those that found me “interesting to talk big struggle issues to”; their words, not mine.

My favourite was Comrade Mjaykes. He was Commander for a unit of younger, recently arrived immediate post-1976 Soweto student uprising exiles. Overriding objective here was to debrief the traumatized youth with various available and relevant medical and therapeutic methods. Intense and continuous conscientization political education was an unavoidable part of the package. And this was the fun part for me. Much of my fundamental geopolitics principles understanding was founded here.

Contrary to many a senior veteran, on the outset, Comrade Mjaykes was an unassuming personality. But he was one the most highly trained and educated around, both militarily and academically. He trained a lot, often alone late at night. He was very fit. And he read a lot too. Of his few personal possessions other than his books, he treasured a satellite radio that he had bought on one of his travels abroad. Commanding English, French, German, Russian, Spanish, and Swahili languages, the super veteran used the radio to listen to current affairs programs from all corners of the world. He was a well-informed man.

Being an exemplary leader with superior oratory skills, Comrade Mjaykes was a complete warrior in my eyes. An enduring source of inspiration that I last saw in 1981. Sadly, he was one of the earliest victims of the scourge of HIV/AIDS pandemic that began to ravage southern Africa and the rest of the world from the 1980s onwards. Comrade Mjaykes died in the newly liberated Rainbow Nation, South Africa, in December, 1994. No doubt, his soul is resting in eternal power. I can’t help but often wonder as to what he would have thought of the South Africa of today.

Acknowledging my Karate prowess already in 1977/ 78, Comrade Mjaykes said to me one day, “Much as I know you’d make a much better soldier than all these young comrades here, I’d rather you went to school first. You have the kind of brains there is a shortage of in our political leadership structures, see? We should be able to organize for you a scholarship for studies abroad. I’ll talk to your parents about this.”

            “That would be nice, thank you! You know, my father’s biggest wish for my two siblings and I is that we could go and study overseas. But that’ll remain a pipedream because he could never afford the costs of an overseas education for us. Life is really hard for our family in Lusaka, as you know well.”

“Yes, I know! Your father is a good man. He deserves all the help we can afford him in that regard.”

            “Thank you, Comrade! My parents would be extremely happy and grateful if mzabalazo/ the liberation movement can help.”

“It should work out for sure. But, unfortunately, currently available scholarships for full education up to university level are from Yuseserese/ the USSR (The Union of Soviet Socialist Republics). However, no, I don’t want you to go there even if you could leave tomorrow. My analysis of you and how you think tell me that you obviously are not Yuseserese material.”

            “Why? How’s that? All I want is to be a doctor. A doctor is a doctor, no? There are Russian doctors at the UTH/ University Teaching Hospital, right?”

“Correct, a doctor is a doctor to the extent that he or she thinks only within the context of being a doctor and nothing else beyond.”

            “I don’t understand!”

“Let me explain, Sae: you see, being a doctor, or any other modern, academically attained profession for that matter, is but just one of the multitudes of tools available for us to apply in the overall growth and development of society. You’ll, of course, recall that growth refers to the actual physical expansionary attributes of society; infrastructure, for example. Whereas development refers to the total conceptual and practical work that goes towards visualizing and realizing measurable qualitative and quantitative transformation of society.”

            “Yes, growth or lack thereof is a function of ideas and tools constituting a society’s developmental visions as espoused by the incumbent national leadership.”

“Absolutely, Sae. Do remember that the developmental visions are promulgated in national development plans over specific time periods. Your brilliant explanation is further proof that sending you to Yuseserese will be a waste of what I see as one of the most promising of future leadership brains in our soon to be liberated South Africa. You must go to the West. Most of our smart ANC leaders in exile send their children to the West, anyway. There’s a good reason for that.” 

In arguing his case, Comrade Mjaykes repeated a summary of standard rhetorical statements I had heard numerous times before:

  • The Soviet Union is a Socialist state.
  • Socialism is a transition state. Socialism puts together all the building blocks leading to Communism attainment.
  • Socialism shall build a strong state designed to enhance optimal economic growth and protection of society and all that guarantees perpetuity of the imminent march to Communism.
  • Communism is the highest state of existential wellbeing attainable for society. Under Communism, classes are non-existent; all are equal with equal access to all resources necessary and available for a life of non-ending abundance for all.
  • The state machinery, i.e. bureaucracy, has the function of managing efficacy of Communism towards the full satisfaction of societal needs. Under Communism, given certain specific skills according to different levels of societal engineering and resources production and distribution administration, all are at the service of society first and foremost and last.
  • Communism has no room for individualism, the basis for societal stratification, or classes creation. When Christianity and other religions talk about heaven, that’s another language for the perfect Communist state, actually. Only that Communism has no overbearing figures of God as portrayed in religious belief systems.

“That is the rosy picture of Communism, Sae. The reality is different. Just like the concept of heaven for the religious, Communism is utopian. The march to Communism starts and ends in the already dysfunctional Socialism, really.”

            “But I thought that attainment of the Communist state was more realistic because it was based on the dialectical material world for material human beings without mythical angels and gods in even more farfetched heavens above somewhere in the distant sky.”

“Communism attainment would be more realistic had it not been for Socialism’s killing of the human spirit, Sae.”

            “You are losing me now, Comrade Mjaykes!”

“I know that no one here has ever mentioned that last statement to you. I deliberately chose to prematurely take your political education to the next level now. That’s only because I really want the best for you and the future liberated, non-Communist South Africa.”

            “If I may say so, you are beginning to sound like a sellout, Comrade Mjaykes. Aren’t you risking condemnation by others should they hear you talking like this to me now”

“No, my views in this regard are already known to even the highest levels of our command structures. My devotion to the struggle is known; I having been tested on many, many occasions over the years. But because we, the ANC, aren’t hard-core Socialists yet, there’ still much room allowed to hold principled divergent opinions in the on-going discourse of how to establish a unique, workable developmental model for the future South Africa.”

            “I see!”

“And that is the point, Sae; behind the apparent success of Socialism in the USSR, North Korea, Cuba, and China, to name the most prominent, there are millions of robotized people whose senses of individuality have been broken to the core. Indeed, people may be provided with the best education in the natural and social sciences, producing top doctors, engineers, economists, and many more vocations. But that’s often as far as it goes.
That’s because, through various political indoctrination methods, backed by extremely brutal national security forces trained to think and act as robotically themselves, the ruling elite ensure that the people cease to think independently and critically over existential questions.”

“But I’ve thus far been made to believe that people in Russia and all these socialist places live happily ever after. Moreover, Russia’s support of ours and others’ anti-imperialist struggles were for that the world must unite against capitalism’s exploitative socio-economic relations subjecting us to lasting poverty and subjugation.”

“That’s a myth, Sae. The truth is that us South Africans we are just too free-spirited, too wild to tame for Socialism. It goes without saying that Communism isn’t even worth talking about. Our allied South African Communist Party is a good platform for training in polemics and rhetoric more than anything else. We’ll discuss higher level Capitalism issues another time.”

“I must say that this new side of Socialism has shocked me, Comrade Mjaykes.”

“You see, Socialism works for, and constructs linear thinkers; people who cannot think outside the box. People who think only in straight lines and right-angles in fixed operational spaces. Perhaps that may be one of the reasons Russians are superior chess players! I don’t know.”

©Simon Chilembo 2021

It’s at about this time that my interest in chess waned. I dreaded the idea of my brains turning square! Indeed, many a South African liberation struggle veteran is a formidable chess player. If they ruled today’ South Africa as exceptionally as they mastered chess, the country would probably be in a better place. But political leadership is an infinitely open field presupposing capacity for paradigm specific, or beyond as necessary, multifaceted thinking in problem solving and application of solutions derived thereby.

“You have on many occasions demonstrated that you are a more independent and well-rounded thinker than your contemporaries here, Sae. I know that that’s why some of the older comrades here don’t favour you much. They simply hate your guts. Highly educated as they are also, these guys don’t take it kindly when they are pushed out of their intellectual comfort zones, especially by a young comrade like you. They are Soviet educated.
“I’d hate to see you stagnate or degenerate intellectually as you get older. That’s why you can’t go to Yuseserese for studies, Sae, you see? One or two young comrades of your calibre have died out there before. Some have had mental breakdowns. It would break my heart to see that happen to you. Although the truth is suppressed in our organization, racism is also rife in the USSR. Encountering racism out there is tantamount to jumping out of the South African Apartheid pan into the Soviet racism fire, if you ask me.”

At own private initiative elsewhere, the first scholarship chance I got for an overseas higher education was to Social Democratic capitalist Norway in 1988. I got stuck here. Primarily out of idealism and for love. No regrets. Norway is the richest country in the world. All things considered, life is as good as can be in Norway. Of course, never perfect, never fully satisfactory for everyone, but Norway does deliver for its people.

And the country is a leading Foreign Aid nation. Norwegian Finance Ministers have for years been megastars amongst their global colleagues. No Communism here. The few ardent Norwegian communists around are but fringe individuals or insignificant groupings with inconsequential social change impact, if any at all.

I write books now. I am what they call norsk forfatter. ‘Forfatter Simon Chilembo’ sounds ever so cool!  I write without fear or favour, freely following my creative fantasies to wherever they take me. I live happily ever after in an effectively non-Communist state. If Comrade Mjaykes could see me now! All gratitude due.

©Simon Chilembo 2017

USSR-Socialist trained South African national leaders across the board fail to get the Rainbow Nation out of the mess they’ve plunged it in after the fall of Apartheid in 1994. In big geopolitics questions, the USSR yoke is sitting comfortably on South Africa’s neck. Mzansi drowning with a sinking ship that is post-USSR Russia fo sho.

The USSR fall with the Berlin Wall in 1989 give rise to Russia. In essence, Russia is the ghost of the former USSR. Ghosts are no touch of reality. It’s therefore not surprising that, identical to South Africa contra Apartheid’s subsequent collapse five years later, Russia never could rise from the post Berlin Wall shambles. Oligarchs ruthlessly plundered the Russian state coffers, taking corruption to the next level.

Post-1994 South Africa created its own egregious oligarchic class through the State Capture phenomenon. This has shown many a Comrade from humble beginnings becoming millionaires to billionaires overnight. They have acutely incapacitated the South African state’s ability to optimally deliver the promise of a better life for all in a united, non-racial, non-sexist and democratic republic. The post-1994 South African oligarchic class has given the formally Apartheid state’s corruption colour. The former is living in the past. They have lost sight of the reality that Russia is not the USSR. Dismembering of the USSR is permanent.

In 2022, Russia invades Ukraine with chess moves mentality. Some things never change. It has turned out that Ukraine is not a chess board for Russia to play on as it wishes. Things have changed here. Parochial USSR legacy oblivious to this fact. Just for starters, young men of my age in the late 1970s are dying, falling like sacrificial chess pawns. The rest is a tragic war on a straight line trajectory ending potentially with a nuclear war catastrophe.

World in panic makes noise. USSR legacy ears are plugged. USSR marble eyes see imperial rebirth victory where the odds for survival are impossible to turn around. Meanwhile, Norway gives shelter and protection to Ukraine children and women running away from the ravages of Russia’s war on their country. No better place to be. Communism allergic. Progressive society as close to heavenly terrestrial opulence as can be.

SIMON CHILEMBO
OSLO
NORWAY
April 23, 2022

PS
The pandemic is still in our midst. Fears and factual untruths haven’t abated. In my 7th book, Covid-19 and I: Killing Conspiracy Theories, I highlight fallacies red lights and how to identify them. Order the book, read, and be inspired by my philosophical exposition on the matter. It might save yours and your loved ones’ lives.

DISCLAIMER: I neither offer nor suggest any cures or remedies. I promote fearless, independent thought and inclination towards pursuing science-based knowledge in times of, indeed, frightening, life-threatening phenomena in the world.

©Simon Chilembo 2020

RECOMMENDATION: Do you want to start writing own blog or website? Try WordPress!

𝐇𝐎𝐓-𝐍𝐔𝐓𝐓𝐄𝐃 𝐌𝐄𝐍 𝐀𝐆𝐀𝐈𝐍𝐒𝐓 𝐓𝐇𝐄 𝐖𝐎𝐑𝐋𝐃

𝐆𝐨𝐝 𝐎𝐧 𝐇𝐨𝐥𝐢𝐝𝐚𝐲

Where is God
When we need him most
One last time
By the look of things

Out-numbered one-to-five
When people work nine-to-five
For salt ’n water on the table
One man against the world
Gives no damn about numbers
People are just meat

Fire power pulling his nuts
Below his desk
Is all he cares about
Reminiscent of a man
With brains between the legs
Fucking AIDS of the world
Indiscriminate
Unabashed
He comes
He dies
AIDS lives on
Grows in numbers non-stop
Until humanity is all gone
From this space in the universe

©Simon Chilembo 2021

The one man’s nuts throbbing
Between the legs
He fires his power
His missiles come and come

If numbers count
It’s not about
Nine-to-five work people
Meat
Perishing
But the one man’s need for survivors
To come lick his nuts
For black gold droplets here
Gold dust there
Bling hither and thither
Over enlarged territorial acreages
That God long shunned

Two thousand years
Of between-the-legs-hot-nutted men
Have worn God out
He’s away on holiday
In a place beyond heaven and hell
Countless light years away
These mad men
Having long made planet earth
A place called hell anyway

God doesn’t want
To be here
When between-the-legs-hot-nutted men
Bury themselves
In the illusion that
They’ll screw the world
Fire missiles
Come and come
And nine-to-five humanity
Meat
Shall die alone
When
Just as between-the-legs-hot-nutted other men
Fire back
Come and come straight on
With five-to-one leverage
Retaliatory aggression

©Simon Chilembo 2020

No stalemate
No second chances this time
When we’re all gonna go
Dead
Done with hell
Done with heaven
Brains
Splattered
On crumbling walls
On tumbling mountains
Fantasy obliterated
Imagination dissipated
End of the world
Done and dusted

This here defies
All that is God
By any standard

One-point-two megatons
Nuclear bomb
Is universally equal
In the world of man
Men hot-nutted or not
Just saying

This here
Men power mongering on steroids
Playing death games
Can’t be God’s idea of
Being one’s brother’s keeper
Nor love thy neighbour gestures

When we’re all
Dead and gone
Disease doesn’t matter anymore
Mine is bigger than yours is no longer a matter

When our bodies are all
Dead and gone
God won’t have temples any more
When we’re all
Dead and gone
God’s greatest creation’ll be
History to no one

God’s eyes
See in the dark
Where numbers can be anything for man
Foresight long showed God that
The carnage of
One man against the world’s war
Shall smash his eyes
Blind him for life

Pray and pray and pray
And pray again
And pray, pray, pray
Useless
God is deaf
Beyond man’s reach
We are on our own
Now
𝐄𝐍𝐃
©Simon Chilembo 22/02-2022

SIMON CHILEMBO
OSLO
NORWAY
TEL.: +4792525032
February 23, 2022

BOOKS

To Ban or Not to Burn

At eight-to-nine-years of age, 1968-69, I was too young to see the implications of not attending school for two years. My Grade 1 year at St. Rose Primary School, Peka, Lesotho, was a long one. It lasted from age four-and-half, 1965, to six-and-half years old, 1967. I, at instant notice and under dramatic circumstances, had to leave Lesotho in the earlier part of 1969. There was no time to acquire school reports and formalized school transfer documents to enable me to continue with schooling in South Africa. Not that I knew anything about such documents at that time, though. In any case, my expectation had been that I’d return to my school in Lesotho once the situation had become normal and safe again.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

Towards the end of 1969, I had already begun to discern the bigger social dynamics around me. That applied to both in my home and with regard to the extended family relations, as well as the wider society to the extent that a nine-year-old child can make sense of their world. It hit me like a bomb, therefore, when my parents unexpectedly made it clear to me that schooling in Lesotho was over for my younger brother, Thabo, and I. We’d resume studies in my mother’s hometown, Thaba Nchu, 210km to the south of my hometown, Welkom. We had been to the former to celebrate Christmas 1969 with my uncle Moses’ new and young family.

The anger and frustration I felt towards my parents at that time hurt me so much that it felt like I had river stones in my stomach. This feeling of profound disappointment and helplessness would last the entire two years that Thabo and I stayed in Thaba Nchu. That I’d have a bad relationship with my uncle Moses’ wife didn’t help matters much. I became a bundle of mental and physical tension. Otherwise a generally happy-go-lucky child up to that point, I became unruly in my uncle’s home.

Understanding Thabo and I’s plight regarding education access given our background, Mr Justice Mmekwa facilitated Thabo and I’s resumption of schooling in Thaba Nchu. Eldest son of my uncle’s landlady, ‘Masang, he was a respected primary school Principal in a neighbouring town called Tweespruit.  Without this kind man’s help, it would have been extremely difficult to find any school places for us in then Apartheid South Africa. As an independent, non-racial state, Lesotho represented values contrary to those of then anti-Black progress racist Apartheid South Africa.

I remain eternally grateful to Principal Justice Mmekwa for his assistance, support, and inspiration. He was a man of class; ever well-groomed. A fine family man exuding charisma that few of my adult male role models of the time had. Other than the traditional Barolong Chief, and Mr Ngophe the trader in the neighbourhood, the Principal was the only man with a car. The latter’s black Mercedes Benz power machine made my father’s then blue Opel Rekord car look like a toy beside the former. No doubt, the man is one of those lasting I wanna be like that when I grow up references in my life. I had already begun to be aware of my predisposition towards being there for the weak and vulnerable in times of need. Principal Mmekwa’s gesture enhanced that attribute in me.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

A fixed image of Principal Mmekwa in my head is that of him majestically stepping out of his car each time he arrived home from work; a rolled newspaper clutched under his left armpit, with a book in the hand. On the right hand he would be carrying the most beautiful leather briefcase I’ve ever seen. In tweed outfits (never a suit), a Stetson on his head, and a smoking pipe jutting from his mouth, he was a sight to behold. His “Dumelang, bana! Hello, children!” baritone voice resonates in my head to this day. His eyes were the suns.

In January, 1970, Thabo and I were well-received by the Principal of the then newly-opened Namanyane Primary School in Selosesha Township. The Principal, whose name I’ve forgotten, was another affable man. It was advantageous that it turned out that he was homeboy with my mother and uncle Moses from their village, Paradys, about 30km from Thaba Nchu town.

Thabo and I’s respective class teachers and others were really nice to us. That made the two years at the school very enjoyable for me indeed. Whilst at school, I could forget about the unpleasant atmosphere at home with my aunt. I had already experienced the joy of choral music singing in Lesotho. However, I got the first ever taste of inter-school choral singing competitions at the new school. In my head, it is as if there was singing every day of school during the years 1970-71. The sounds of rehearsals voices of different categories of singing according to age and song vocalization skills still buzz in my head in my moments of meditative inner silence.

I got the first taste of formal competition victory when my choir, the Junior Choir, won the regional schools choral music competition in 1970. The category song was called Mmino wa Pino/ Singing of a Song. It spoke about the universal appeal of music; how it, music, defied all the prevalent artificial discriminatory practices in society. My eyes began to open to Apartheid in a critical way at about this time. My life would never be the same again.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

It is also at this time that I began to consciously think about the big questions of life around hate, love, peace, and all other tendencies reflecting inequities around me. Inspired by the Apollo 11 moon landing in the previous year, I recall one day wondering if it were possible to relocate to another place far, far away from all the evils of mankind on earth.

At the same time, I discovered that whereas I was in Grade 3 that year, 1970, several of my agemates were two to four classes ahead of me. In no time I had figured it out that the situation was due to the fact that I had lost the two school years of 1968-69. The difference would probably had not been that much had I progressed normally from Grade 1 in 1965, I reckoned.

If I ever had a sore moment at Namanyane Primary School in Thaba Nchu, it was the illumination of how much schooling time I had previously foregone due to circumstances beyond my control. The school Principal, my class teacher and some of their colleagues also found it hard to understand how I could have academically stayed that far behind my contemporaries. This enhanced my new sense of bewilderment here. I was actually a brilliant pupil. And, ideas of what I wanted to be when grown up were already crystallizing in my head. I began to wonder some more about whether there didn’t exist another place far, far away where I could get educated quickly to be a doctor without having to bother about the other kids that I felt had had an unfair lead over me. Visions of living in other worlds preoccupied my mind from then on.

Thinking about the moon was not exciting because I had already learned that normal human life was impossible out there. But the moon remained a major point of reference until in my class we began to read stories and answer questions from books. We began to read and write down our answers to the questions set in the books. This was a major leap from verbally answering questions from texts our teacher would have read to us.

I don’t recall any of the stories the teacher ever read to us. But I know that listening to them induced in me a feeling of flying away like a bird during the reading séances. This gave me a special inner peace that detached me from my frustrations with my derailed academic progress. In this state of mind, negative forces around me ceased to matter. The challenge, though, was that the reading sessions were ever so short. Nevertheless, that made me to ever want to look forward to going to school the following day. Truly happy memories.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

We may have read more stories when the time came for us to read our recommended class text book on our own. That’s because the first two stories I remember, and got to make a lasting impression on me, were somewhere in the middle of the book. Both in appropriate condensed forms, the first story was about a man whose tragic life led him to unknowingly kill his father, and end up marrying and having four children with his own mother. The second story was about two men in an intense competition to reach the South Pole one before the other.   

My class teacher made it clear that the first story was not for real. It was created a long, long, long time ago by a writer and thinker from an overseas land called Greece. Although it was a story too difficult to discuss thoroughly then, she told us that its idea was that sometimes we cannot escape what destiny had in store for us. It was therefore important to aspire to be as descent a human being as possible, despite the troubles of our world. She went on to say that we were going to read even more books as we grew older and progressed with our education.

“Books are a safe store of knowledge about who we are; just like banks keep our money safe,” she concluded.

As regards the second story, it was from reality, the teacher enlightened us. The story highlighted the importance of determination towards the achievement of our goals as we grew older. She said that books that tell real life stories teach us about what it takes to attain certain goals. The books help us to learn not to make the same mistakes that the writers shall highlight in their stories.

“Real life story books teach us how to be human in ways we should easily relate to, even if we could never replicate events of the stories as they are narrated in the books,” the teacher said. She went on to say that it was the aim of acting in the bioscope and theatre stages to seek to bring book stories close to life as much as possible. Some of us would be actors when grown up, maybe?

Two years later, I’d see for the first time a professional theatrical performance: Sikhalo, by the legendary South African playwright, Gibson Kente. This play brought home to me a clearer picture of the Black condition under Apartheid South Africa. I got a better understanding of the monster. The monster had to die, even if many of my people had to die in the process. We could cry and laugh away our troubles through the arts. Education was a crucial weapon in our struggle for freedom. If education was found in books, then I’d  read and read them all.   

It was one thing to hear the teacher’s philosophical discourse on the stories and the value of books. From reading and understanding the essence of the stories, what happened with me was that my mind for the first time in my life saw the existence of other worlds on earth. I could, perhaps, escape to these new places for my peace of mind. The more I read, the more the world, life, made sense to me, for better and for worse. The more I wanted to explore human nature in order that I might better understand myself and my purpose in life.

The interesting coincidence is that I have now been living in Norway, the land of Roald Amundsen, one of the two South Pole explorers mentioned above, for nearly thirty-four years. Greece was my first encounter with Europe in 1985. Talk about fate!

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

I came to Norway via Zambia, my fatherland. Landing in Zambia in March, 1975, would turn out to be a thirteen years’ enduring be careful what you ask for moment. Zambia took me down, took me up, tossed me mid-air in stormy weathers, took me up and up to finally thrust me even farther away to new lands in my pursuit of a suitable place for my peace of mind. Thanks to Zambia, upon my landing in Oslo in August, 1988, I was a mean physical fighting machine, a polished rising international intellectual powerhouse with, of course, a taste for the finer things in life. Zambia gave me tough lessons in how to be a man of the world. Such that, no, landing and eventually living in Norway has never been a culture shock trip for me.

The two years prior to my parents relocating the family to Zambia, 1972-74, presented me with a trove of pubertal-early-teens growing up thrills: consolidation of my sense of identity, winning respect from my peers, earning own cash, rock-and-roll with girls, street survival mentoring from older friends of both sexes, travelling, sport, and much more. At school I was a star by default. The vision of my being a doctor when grown up was becoming more and more real. That as talk about beginning to look for potential bursary/ scholarship sources for me had begun. I got inspired to want to read more and more intensely so as to maintain my top-of-the-class status at school.

Reading then involved a great deal of cramming, especially during examination seasons in June and November/ December every year. For homework assignments, I could in one sitting lasting perhaps an hour, read and memorize all the recommended texts for the day in all the subjects: English, Afrikaans, Maths, History/ Social Studies, General Science, and Bible Studies. That was the most natural thing for me to do at the time. However, it used to baffle me when some of my classmates used to complain about how difficult it was for them to either find time or concentration to read at home. I didn’t know how I could help them; neither was I keen to, really, because competition for academic excellence was very stiff. Only the very best of the best got access to the extremely scarce bursaries/ scholarships provided by various private business entities and rich individuals.

Extra-curricular reading during this time mainly comprised newspapers, various weekly and monthly entertainment magazines and comics. Bible stories of Moses, Samson, Kings David and Solomon captured my imagination in a huge way. So, I read the Bible a lot. Some of the best literature-induced mental travels I’ve ever had have been during this time. Reflections over the adventures of the mentioned figures have lastingly influenced my view of life.

Moses opened my eyes to the sense of devotion. Samson’s warrior heart ceases never to give me goose bumps; his wife, Delilah’s betrayal of him may just be one of the reasons I’ve yet to get hitched. I don’t know. King David and his son’s lust issues gave me a special perspective about power and sex. And, then, King Solomon’s proverbs in praise of his women paved the way for the lessons of love that I’d later read about in greater depth in The Perfumed Garden. I learned from the latter book that if I wanted to maximally enjoy physical intimacy with a woman, I must handle her with utmost tenderness, just like when I consume my favourite juicy fruit. This book broadened the mystery of misogyny and violence against women. Beats me.

After over three months on the rails and road, we arrived in Lusaka a tired family unit. The journey had been hard on us on many fronts. Our joy at having finally arrived home turned into acute disillusionment within a matter of days. Longstanding conflicts in my father’s family made it difficult for us to bond. Subsequently, at different times and under different circumstances, my parents, my two surviving younger siblings and I would leave Zambia. The youngest sibling, Dintletse, died and was buried in Lusaka in 1983. I came to Norway, whilst the others returned to South Africa.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

Starting with my uncle, Mr OB Chilembo’s private library at home, arrival in Zambia was an introduction to a world of books like I had never seen before. In the home library, I could mentally fly away from bitterness bordering on hate in my family situation then: I’d find myself following murder investigations in the USA, falling in love with English women in London, fighting in World Wars 1 and 2, investigating human nature as a psychologist, defending criminals in courts all over the world, singing and dancing Jazz on Broadway, playing World Cup football, getting lost in the Sahara, robbing banks in Paris and Rome, escaping from Russian labour camps in Siberia, pretending to be dead in Mao Tse Tung’s China’s rice paddies, hiking across Australia, and much more.

The comfort I derived from reading books was like no other. I don’t quite exactly remember what specific books and other publications I read especially throughout the rest of 1975, when I didn’t attend school. But I know for sure that much of the reading helped me make sense of my reality. That way I could, indeed, find some peace in my inner world.

I found the reading culture in Zambia amazing both in magnitude and diversity. Even Radio Zambia had an African Literature reading hour most working day afternoons, if I recall. Zambians had no culture of displaying their book collections on shelves in living rooms. I’ve met numerous foreigners who had concluded that Zambians were not well-read for not having showy bookshelves in their houses. Quite the contrary.

Well-off Zambians like my uncle had private libraries, as I’ve already alluded to above. Otherwise, people valued their book collections so much that they kept them in their bedrooms, or such other private spaces. Others concealed the books in locked, opaque cupboards in their living spaces. Upon entering my uncle’ spacious living and dining area, including a bar, there was almost never a book to see.

Uncle OB has on more than one occasion spoken in awe about how vast a collection of exclusive books two of his contemporaries had in their private libraries. Only selected individuals could enter here. If you didn’t ask, or you didn’t get caught up in a heated debate necessitating available literary referencing, you’d not likely see your Zambian host’s book collection. Erudite or not, Zambians can be formidable debaters, if not orators, thriving on the pedantic.     

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

With time, some of my paternal cousins of my age took me to the Lusaka City Library. I don’t recall ever reading or borrowing a book from there. But the picture of me walking around and around the library gazing at the books in amazement for what felt like hours on end, day after day, never leaves my mind. I had never seen that many and huge book walls anywhere.

The following year, 1976, I started schooling in Grade 7 at Lusaka’s Olympia Primary School. That a mobile clinic came to the school for pupils’ periodic medical check-ups and the like wasn’t such a big deal. But the first day a mobile library came over, I was positively shocked beyond words. It soon dawned upon me that, with such ample access to books, it was no wonder that Zambian Black people were not only doctors and nurses, they were pilots, train drivers, army commanders, and all sorts of things Black people of South Africa were not.

I’d eventually be member of both the British Council and American libraries in Lusaka. From the former, a book on running made the biggest impression on me. Such that when my Karate teacher and life mentor, Professor Stephen Chan, OBE, suggested that we, the then senior-most students at the University of Zambia Karate Club in 1983, take part in the maiden Lusaka Marathon run that year, I had long been mentally ready for it.

From the American library, the one book that made the biggest impression on me was on the freedom of speech concept. I recall its stand that whereas freedom of speech was indeed a fundamental human right, it was important to remember that there are moral and legal constraints as to how far we could say what we will on any subject, to anybody. Freedom of speech is not an entitlement to be malicious to others. In connection with the freedom of speech ideas, the book also touched the subject of truth telling. It argued that truth must be told always, but not necessarily at any cost. If currently telling the truth could cause more harm than good, then it may not be a bad idea to withhold it until conditions are more favourable, if ever.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

And then in 1982-86, the University of Zambia Library became my books haven. Many of us students and the academic staff did our research here. This institution consolidated the intellectual foundation upon which this my new writing career stands.

During the years preceding university studies commencement, I used to have much informal political education talks with a selection of some older South African freedom fighter veterans based in Lusaka in those days.

One of the veterans, Comrade Lerumo, once said to me, “Sy, when you analyse any issue, you must always look at it from both opposing sides. When you read in your research, read books, or any other relevant form of written presentation, articulated from opposing perspectives. Do the same when you listen to world news on the radio; listen to everybody, whether you agree with them or not. That’s how we become intellectual powerhouses, able to solve problems effectively as they arise because we know how everybody thinks.”

Comrade Lerumo went on to say, “The sad situation is that surprisingly many of our leaders in exile don’t read. If they do read at all, it’ll be a book on Marxism here, Che Guevara there, and Chairman Moa there and there. They’ll recite a stanza or two of a Shakespeare and think that they are smart. Tragic!”

©Simon Chilembo 2020
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

The UNZA Library provided me with all the books I ever needed for a successful university  studies career. These days I have access to major world libraries in the palms of my hand, at the tips of my fingers. In principle, no one can hide from me a once formally published book. No one can absolutely hinder me from publishing a book, formally or otherwise.

From the outset I write with good intentions. I write with a pure heart, my imperfections notwithstanding. Because I’m non-cantankerous by propensity, I consciously choose to write non-offensive, uplifting books; upholding principles of freedom of speech and truth telling with responsibility. At the same time, I do not expect that my writings shall be appreciated by all. I’m not a popularity contests writer. I write as a free spirit without fear or favour, simply practicing what book reading has taught me over the years. It’s a privilege to have the opportunity to contribute to the growth of humanity’s reading material data base.

Writing books has liberated my soul. The worlds I create with my books instil in me a sense of peace and love beyond words. Each publication of any writing of mine is an attempt to portray the workings of the peace and love that I feel. Although it is for the observer to judge my deeds, inside of me I feel I’ve become a better person breathing and walking as an author.  Books have outright saved my life. In more ways than one. Plain and simple.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

If we want this our world to be a better place for all, it’s symptomatic of intellectual bankruptcy to ban books that tell and expose truths about transgressions we have historically, and continue to commit over one another. That depending on the balances of power according to race, political orientation, and other artificial human discriminatory categories and practices.                     

Good or bad, truthful or malicious, once a book is written and published, it’ll stand the test of time in numerous formats. That’s why we have, amongst others, national libraries and archives. Power is in writing another book to counter or falsify a book that proliferates undesirable messages. Better yet, power is in writing another book to take already existing progressive literature to ever higher levels.

Banning of books prejudicially classified by powers that be is tantamount to running away from the truth, running away from the self. Banning of books is denialism of the existence of one’s deeds tracks in history. Banning of books fakes presentation of the present as if the present begins and ends in itself. Living the present on fake presuppositions is sure a promise of a future of ignorance and non-sustainable existential premises. As it is, it is evident that a current exercise of banning of books enshrining enlightenment and wisdom is a consequence of forces of ignorance and destruction having had the upper hand in the past, distant and near.

Truth frightens the guilty. Cowards fear for life confrontations of truths about themselves. They shall ban and burn books, they shall incarcerate and murder writers, but cowards in the form of fascists shall never ever succeed in erasing the urge for truth search and expression that is at the core of being human.

In the 21st Century of unprecedented potential for making planet earth a place called heaven for all, USA (The Ununited States of America), the most powerful nation on earth, is in an orgy of banning books. As if the Coronavirus pandemic and the January 6 insurrection weren’t bad enough. Amongst others, these books lay bare the truths about one of the essential elements of the foundations upon which the economic might of the USA stands: the trans-Atlantic slave trade. This endeavour inhumanely uprooted African people to go and work in slavery the initially cotton-based American agro-industry.

Classified as inferior humans, American-enslaved Africans lived and worked under the most appalling, dehumanizing conditions. Modern day USA racism against people of African descent and others stems from the earliest days of European settlement and subsequent colonization of the north American continent. Truth as plain and undeniable as can be.

Slavery in the USA formally ended in 1865. In the Euro-USA context, though, racism as a social construct continues to seek to perpetuate artificial racial inequalities that have been developed to sustain oppression of Black and other People of Colour. This phenomenon is experienced in other parts of the world also (The Middle East, China, Eurasia), notably Australia, South Africa, and other areas of the world where Euro colonialism has had a lasting imprint. The idea being to infinitely suppress the oppressed so as to maintain them in perpetual subservience. That way forcing them, the People of Colour, to continue selling themselves cheaply for the benefit of the superior White race. Baloney, of course.

Through research and critical analysis of historical facts, books are written in order that knowledge about the truth about where the USA comes from, and what values make and break it can be disseminated as wide and durably as possible. In here is included books countering anti-Semitic literature and the anti-Jewish sentiment as a whole, both in the USA, Europe, and globally.

©Simon Chilembo 2022
Author/ Storyteller/ Poet/ Publisher/ Warrior/ Machona Son

Banning and burning of books is knowledge dissemination delayed and denied. I shudder to think about the future of America when literacy rates are as low as they are today. All explicable in historical terms, of course. When some of the leading books banning proponents are Ivy League universities graduates, it may be arguable that many a student enter these institutions with but half-baked academic maturity. No wonder the country is in such a socio-politico mess spearheaded by educated fools. Unversed American children raised by conspiracy theories pregnant America can only but keep the fires of American Nightmare burning in all perpetuity. Trash begets trash. In that case, they can ban me with pleasure for my broken Dream of America.

In Africa, an educated fool emerged from anti-liberation struggle imprisonment once. He had seven university degrees to his name. Obtained from studies behind prison walls with limited access to relevant research literature, the degrees could only have been half-baked. The man brought his country to its knees. He is dead now. His country is on stumps; amputation wounds chronically infected. No school books in the country. Teachers are running away before they lose their knees. Future of intellectually bankrupt America as dire as that of country balancing on stumps that won’t heal.        

SIMON CHILEMBO
OSLO
NORWAY
TEL.: +4792525032
February 05, 2022

SEBOPUA

CREATURE – The Thing

In my mother tongue, Sesotho, the verb ‘to mould’ (with clay) is ho bopa (ka letsopa). By extension, ho bopa describes ‘to form’, or ‘to create’ a tangible, inanimate object out of clay or any other similar malleable material. The objects made may be of functional, ornamental, or both values. They may also be aesthetically attractive or repulsive. And they may either be destructive or life-supporting, either by design or accident, or by intentional application. For purposes of this presentation, we shall work with the concept of ho bopa in terms of creation. In this case, creation producing a dysfunctional output, a thing, with a potential for destruction of the self and/ or its environment.

©Simon Chilembo 2021

Etymologically expanding ho bopa leads us to, amongst others, the adjective sebopua. The latter approximately translates as ‘a product of creation’ – a thing, an object the existence of which is acknowledged simply because it exists as a result of creation’s infinite creative potential. Creation gets it right most times; it screws up badly sometimes.

Sebopua is thus used to describe people of various degrees of physical handicaps and intellectual disabilities; often from birth. It may be due to birthing complications, illness, inherent neurological or genetic aberrations, and many more. The expression sebopua is often applied derogatively. It may also be used in exasperation as a manifestation of grief against a condition of hopelessness, extreme suffering for the afflicted, and the next of kin as well; including national social welfare authorities, where applicable.  

On the one extreme there’ll be a wholly physically disabled person of any age; drawing much sympathy from others: harmless, poor, unfortunate product of God’s creation.

On the other extreme, there’ll be a borderline, apparently normal person. But they will have all kinds of eccentricities. These render the sebopua incapable of functioning within socially conventional boundaries of human interactions. Much so in adulthood, people in this category tend to live in parallel universes contra mainstream social wisdom concerning how society is organized; from the smallest family units to the larger national entities.

Sebopua people break all the rules, either purposely or because ‘it is what it is’. They don’t know anything else but their unique ways of looking at the world. They cannot understand that others can think or act differently from them in given situations. They simply don’t know how to empathize: it’s their way or no way at all. Civility is a concept unknown here.

Some of human history’s greatest thinkers in all human endeavour the works of whom society benefits from even today can easily be drawn from the eccentrics above. These often tend not to be too much of a burden to society. It is those that are inclined to destruction that are a curse to humanity. Some of the most perilous leaders in human history have emerged from the latter category of sebopua, a freak of creation.  

The thing about sebopua is that they are just a thing. They are devoid of coherent feelings and thoughts expression. Sebopua tend to be one-way-traffic communication machines. Their language skills can often leave much to be desired. Talking to one could as well be as good as talking to a clay molded human figure.  

Sebopua are indifferent to the elements; they know no pain. The only form of pleasure that matters for sebopua is their staying alive at the expense of their perceived and real enemies, not understanding how anybody can be so stupid compared to their, sebopua’s superior intelligence. Sebopua brutality can be horrendous. Woe to the spineless that fall for sebopua’s deceptive charisma. Woe to non-stayer enemies of sebopua.

©Simon Chilembo 2020

Another thing about sebopua is that an eccentric sebopua is a sebopua. The condition knows no colour. It knows no race. The only difference is the relative extent of power exercised and access to weapons of destruction according to their location on planet earth. This here debunks racism as an ideology that claims and pushes ideas that some races are inferior to others. In a perfect world of the free, people group in cliques not always out of racial identities solidarity. Both for the good and the bad, people are drawn to and bond with one another out of shared mental constructs; shared world views.

There’s sebopua in a cul-de-sac in America today. The walls are closing in. I wonder what they’re going to do when they can’t breathe anymore. In England, another one bites the dust. The world must now learn to stop political experiments with dibopua (sebopua plural form) if we have learned anything from the Coronavirus (Covid-19) pandemic.

In the old days, dibopua used to be hidden away. Or worse. Democracy is a wonderful thing in our times: everyone has the right to live. Whatever the cost. However, there’s a tipping point to everything in life. May the fair and just prevail in all holes and surfaces of the planet. May light reign supreme. Ultimately.     

SIMON CHILEMBO
OSLO
NORWAY
TEL.: +4792525032
January 13, 2022

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