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𝗘𝗡𝗘𝗠𝗜𝗘𝗦 𝗜 𝗗𝗢𝗡’𝗧 𝗞𝗡𝗢𝗪

𝗜𝗟𝗟𝗨𝗦𝗜𝗢𝗡𝗦 𝗜𝗡 𝗠𝗬 𝗪𝗢𝗥𝗟𝗗, 𝗣𝗮𝗿𝘁 𝟮

I dedicate this presentation here to my late beloved mother, who died five years ago on October 7th, 2018. May her soul continue resting in eternal power. On Monday, October 2nd, 2023, my mother would have turned 83 years old. Happy posthumous birthday, Machona Mother – Shebeen Queen dearest!

When as a child growing up in South Africa up to the age of 14½ years I was in various spaces hassled for my Blackness and other envied personal attributes, my mother instilled in me a fierce sense of pride and personal integrity. She constantly told me how beautiful I was, and that, as my academic performance demonstrated time after time at that time, I was the most intelligent kid around. I believed her, and, with humility and gratitude, I’ve aimed to live her words since then: beautiful, intelligent man that thrives amongst other beautiful, intelligent people.    

August month, 2023, marked the 35th anniversary of my stay in Norway. The tangible plan I had upon leaving Zambia, my fatherland, in June, 1988, was that I’d complete the 3½ years’ post-graduate business studies programme I had privately secured for myself, with a little help from my friends. Afterwards I’d then move on out to the bigger, wide, wide world.

Twelve years was the timespan that I had given myself that when subsequently big and strong with an Economics PhD degree and international big business and global technocracy experience clutched under my armpits, I’d then return to South Africa, land of my birth, and become the country’s Reserve Bank Governor. I had the earth moving under my feet; what could stop me, then? What could go wrong?

The accompanying supportive Norwegian State Education Loan Fund scholarship offer was the first to come my way. I accepted it without second thoughts because I just had to get out of Zambia at the earliest opportunity. This was a matter of both ambition and the nearly untenable personal living conditions in extremely hard family and national survival environments at that time.

That I’d somehow ultimately stay in Norway for a longer period, not in the least permanently, was never even an iota of an idea in my head. Dream of America calling, Baby. In January, 1991, towards the end of the business studies programme, a bureaucratic glitch led to my ceasing to receive financial support from the scholarship fund. I was left with a huge debt in tuition fees and other costs to the school. Indefinite termination of my studies at the school became unavoidable. This was the beginning of my economic dire straits that would last at least five years in this first cycle. As fate would have it, I’d fall in love with a sweet Norwegian woman during this time.

In the meantime, I had opened and had been running two Karate schools in Oslo since my arrival in 1988. That’s how I got to stay in Norway to this day. Both love and Karate no longer rule my life in Norway. But I’m still here; largely because of the joys, trials, and tribulations that the love and Karate exposed me to in the country. I experienced the joys, I wanted more and more. Norway delivered; I got addicted to the land.

I having been overwhelmed by difficult circumstances beyond my control, once unleashed, the trials and tribulations were ruthless. Under the hardships of life in Norway, I’ve seen many a lesser man from the African Diaspora spiritually buckle, fall, rise, and walk dead. All faith gone, no hope, neither mental nor physical strength left, they die. Literally. I decided that if I fall, I shall fall. But I would never die. I didn’t travel more than half the world to let problems of life kill me so far away from home. One way or another I’d find a way to rise again; just I can breathe. I could never return neither to Zambia nor South Africa poor and without a business PhD degree. Never.

Indeed, I fell once; I fell a second time. On the third fall I lost everything, including face. My people networks collapsed. For once left alone, Rockstar popularity dissipated, I got the opportunity to be better acquainted with myself as a grown-up man. I saw clearly my dreams, my potential in life. I became my bestiest bestie. Now I know myself well. Better than ever. My self-knowledge trip gets better and better and more rewarding each and every new day that comes and goes.

I got to understand that my social survival navigator skills by way of my sellable talents may be many, but the relevant shall come forth and carry me through only specific situational needs in order to respond accordingly to given conditions in different epochs and spaces. The constant steering ethos being my personal motto of change, win, adapt, or die.

I’ve learned to change perspectives, acquire new skills sets, and adopt varying modus operandi to ensure victory in the face of adversity, no matter how long it takes. This knowledge also helps me to take to the next level what I already know and works in my favour presently. Concurrent with applicable talents, the ability to adapt to, and flow with the currents of changing or changed circumstances is a powerful tool for success for me. I have yet to die. I might talk about death on the other side, should I die.

Whilst recovering from the major fall following the devastating personal economy knock that I got from the Global Financial Crisis of 2007-2008, I had fully embraced the idea that all I had to do was to chill and wait for my next big break. I had suffered enough. I had learned more about myself and the ways of the world to know that I had to stay alert, fresh, and strong for the impending big break; whatever it would be, wherever it would take me, and whatever it would do with me.

It was a painful wait. Much reading, thinking, and writing rechannelled the emotional and mental torment to the enhancement of my creative potential as a writer. If I can read about it, I can write about it; tell a story about it in my own words.

If I can write about it, I can deconstruct it; I will better comprehend the challenges, I will see solutions. If I can write about it, I can dream. If I can dream, I can hope. My faith is shaped in the messages of my dreams. My writings tell the story that everything’s gonna be alright ahead. Keep moving.  

I have been through so many personal falls and rises that I know when an opportunity for my self-reinvention is nigh. The feeling of anticipation I get in times like these is like no other. I become larger than life in my thoughts so that when the opportunity for me to rise again arrives I won’t lose control of my sensibilities.  

Whilst I had visions of yet another multi-million-dollar international trade business venture, as the book writing inspiration suddenly revealed itself one fine morning in August, 2015, I knew that my real calling had finally come home. I got into a frenzy. Feeling like one possessed by the spirits of our greatest ever historical and contemporary world authors, I went on to write the first of my dream-of-one-thousand-plus books before I turn 100 years old.

The debut novel, When the Mighty Fall – rise again mindgames, I wrote in fourteen days. It became about the story of my first twenty-five years in Norway presented in a semi-autobiographical, or fantasy memoir format. Intense emotions and scenes arise in the book: boundaries are pushed and crossed; limitations are overcome, people reset themselves and their lives, stereotypes are crushed. All played out by at least equally intense and exceptional characters. The book has changed my life; it has made me a better person. It started the process by which I continue to learn and understand humanity and our universe better the more I write and think, and think and write.

Working with the book from the start, and living with the variable impacts it continues to have on its readers are a constant, in real-time steep learning curve. I guess it’s a mark of a significant book when the author gets a mixed bag of strong reactions from the readers. Acquire and read the book for yourself so that you can make your own conclusions. Love or hate me as you wish; it is your prerogative in a free world. If you wish to destroy me for your hate, I won’t take you lying on my back.

My embracing this book writing calling of mine was with a clear awareness that my works would never be appreciated by all. I’ve in my life read more than enough books to appreciate that fact well. I’ve over the years come across numerous literary critiques on various media also. What has shocked me, though, is the gross misinterpretation of my thoughts and intentions in and with the aforementioned book. This has been especially so given that it is the least expected section of my readership that has been thoroughly brutal in their condemnation of me and the book. Perhaps this makes the point for writers knowing about their actual and potential target readers. However, as for me, to the extent that I so far write personally inspired factual and fictional narratives as opposed to formal academic, or professional literature, I in principle write for myself. I could never write if I went around thinking about who my readers are, or shall be, and how they will judge my works eventually.  

Working clandestinely, my aforementioned brutal critics, on utterly wrongful, naïve conjectures, have gone around tarnishing my reputation in Norway. People read my books. In their readings they come face-to-face with demons they conjure for themselves. They panic; lose it. They judge and punish me without a trial. Pathetic.

Because my conscience is clear, and because of my resolute dedication to growing and developing my creative writing talent and occupation to the 1000th book and beyond, the hurt and emotional turmoil I initially felt are gone. I’m healed. I’m strong. I’m on the rise again, destined for higher and higher heights of success than ever. I’ve written eight more books since the When the Mighty Fall publication. I’m on the roll; right on track. No one, nothing can stop me.

©Simon Chilembo 2021

Travelling from Lusaka back to Oslo with Qatar Airways two weeks ago, it was on the first leg of the trip, Lusaka-Doha, that I took time to take a deep dive into reflections of my highs and lows in Norway over the years. I couldn’t help but dwell upon encounters with some really bad people that have always been there to hinder my climb to success in the things that I do by way of making a living in the country. The bad people were in total contrast to the loving and caring ones that I met during my short family matters visit in Lusaka, from August 20-29, 2023.

These bad people have striven to ever hamper my genuine efforts to work to be a decent human being with a well-intended commitment to my personal aspiration of adding value to society to the extent that I’m resourceful and productive. Some have been outright about their dislike of, and disdain for me. I can live with that.

Others have turned out to be Judases in the end. A sickening lot that once ranked high as confidants in my world. These provoke my primordial survival instincts when I consider that they are ever gathering somewhere conniving to micro-assassinate me slowly. A mission I could never allow them the pleasure of achieving. Unless I am overtly potentially or actually caused bodily harm, I am not likely to resort to violence as an immediate self-preservation recourse. However, my warrior creative spirit observes, or experiences and analyses everything.

I apply different writing styles as dictated upon by the moments when I celebrate or decry events around me, both near and distant. I do the same with uplifting or destructive actions specifically directed towards me. That way I get to vent out my frustrations and anger without spilling a drop of blood. Then I can sustain my sense of personal safety and integrity in the face of adversity; irrespective of whether the adversity is overt or discreet. My words are my armour.

The poem I’m going to read came forth during the process of thinking about the latest Judases, wolves in sheep’s clothing that have emerged with their true colours in the dark in recent years. It is a self-preservation, protest poetry piece. This poem also sets my eyes on October 24th, 2023, which will mark the fifth year of my return to Norway after a five-year creative exile in South Africa.

Aware that my enemies had already drawn their swords to slay me, I felt like I had brought myself into the mythical lions’ den at my arrival in Oslo. But I knew I was blameless contra the enemies’ smear campaign against me. I’m grandson of a Daniel, father of my mother. The Biblical Daniel was “… saved from lions by the God of Israel “because I was found blameless before him” (Daniel 6:22). So, I’m still intact; standing tall, breathing happy and free, crafting words into literary expressions in my efforts to make sense of my world.

Similar to other writings of mine addressing my personal life conditions and states of being owing to simply being who I am and the personal choices that I make all the time, I’ve written the poem not out of a need to defend, explain, or justify myself. I do not seek any validation nor accolades from some Jacks and Jills anywhere either. I listen only to my teachers, to men and women of authentic benevolence: proven mediums of global human excellence, love and peace.

I primarily write to purify my soul, ease my pains, and fortify my spirit. I write as a good-intentions, free, have-no-fear spirit with nothing to hide in a free world. I feel good about what I do; I know I’m good at it. And that’s all that matters to me. It is what it is. I am that I am. Take me, or leave me as it is your prerogative in your free world. 

I publicise my works in response to what I feel to be a higher call to share my thoughts with those that want to hear my words. This call inspires me to aspire to teach and to speak for the young, the weak and vulnerable: the afraid, the oppressed, the voiceless. That from my life experiences as lived-in moments in time. Also as learned from hearing the voices of others that are much wiser than me.

The wiser than me being my teachers across the board, including some of the most impactful historical and contemporary philosophical and spiritual wells of wisdom of the world. All from one-on-one teachings and discussions with the living, or through consumption of the wise’ thoughts through the variety of multimedia platforms available in our times: from the written word in books, to sight, sound, and motion presentations in live theatres; on cinema, television, and computer screens.

Thanks to the power of the internet, we today have the said multimedia platforms compressed and collapsed into the palms of our hands via mobile telephone technology. Knowledge acquisition and dissemination of the same, verification of facts and propagation of truths, debunking of falsities and crushing of conspiracy theories, are all at the tips of our fingers these days. Therefore, those that manage and live their lives on unchecked assumptions; uninformed, factually fallacious decision-making tendencies do so at their own peril.       

©Simon Chilembo 11.09.2023  

Self-made
New enemies of me
People I don’t know
Lurk in dark corners
I don’t know
Wish me dead

They don’t know
I’m a free soul of the light
I don’t know how to hide
I don’t know how to die
Darkness cannot contain me

Invincible to eyes that see
I worry but little
Of fools groping in the dark
Hoping for a lucky strike
To annihilate me

I’m not
In a state of war
I fear no drones
No stealth missiles threats to
My soul of the light
Defence system

My shield is
My words
I push back with
My voice
I sing one moment
I preach the next
I wail this moment
The moment I growl
Earth trembles under my feet

Self-made
New enemies of me
Faceless people I don’t know
Fools with reasons for
Enmity I don’t know
Duped in fake storytelling tales
Of witches in fright
Of demons of them
Confronting them
In the glow of light
Permeating
The darkest recesses of the universe
In fright
Fight
Shadows of themselves in the dark
Tumbling in muddy faeces
Of their own
Gathered in trenches
Of massless conspiracy constructs
Meant to implode
A free soul of the light
They cannot see

I could never collapse
Into myself
Squash me
Sprout me
As particles of
My flesh and bones
In deep waters

Delusionals don’t know
That’s the closest they’ll ever
Come to harming me
Envious fools don’t know me
Inconsequential fools’ll never see me
Repugnant fools embraced by
Darkness I don’t know
Darkness I don’t care about *

I cannot run away from the light
I have nothing to hide
I don’t know how to hide
I have nowhere to hide
Not even a tomb can contain me
I had to break the law
Drank and drove
For prison walls to hold me
If only for a while

You’ll never find
Remains of me
In pyramids of Egypt
In a thousand years
When I say catch me if you can
I play with words
No longer do I play with
Bloodsuckers
Stabbed me in the back
I could have bled to death
Had it not been for
The light stronger than
Enemies’ self-consuming malice
In the dark

Resilience is the name of
Dark-hearts-impervious
Light games I play

Here I am to see
For all eyes with love
I’m a soul of invictus
I breathe love
As a matter of course
I’m here to stay
Longevity is the name of
My dance for life
Immortality is the name
Of my end-game
Beat that
If you can
𝗘𝗡𝗗
©Simon Chilembo 11.08.2023

On the 24th of October, 2019, I wrote the following article on my private blog, chilembowarriormoves.com:

𝗢𝗡𝗘 𝗬𝗘𝗔𝗥 𝗟𝗔𝗧𝗘𝗥: 𝗜𝗟𝗟𝗨𝗦𝗜𝗢𝗡𝗦 𝗜𝗡 𝗠𝗬 𝗪𝗢𝗥𝗟𝗗.
𝗥𝗘𝗔𝗟𝗜𝗧𝗬 𝗜𝗦 𝗜 𝗔𝗠 𝗛𝗘𝗥𝗘, 𝗜 𝗟𝗜𝗩𝗘, 𝗜 𝗟𝗢𝗩𝗘, 𝗜 𝗗𝗔𝗡𝗖𝗘.
𝗜 𝗔𝗜𝗡’𝗧 𝗚𝗢𝗜𝗡𝗚 𝗡𝗢𝗪𝗛𝗘𝗥𝗘.

𝐀𝐑𝐓𝐖𝐎𝐑𝐊𝐒 𝐀𝐋𝐈𝐕𝐄

Reserve Husband in House of Beautiful Things

In my Tumbuka tribe in Zambia, a man is his brothers’ wives’ reserve husband. Traditionally, this is an informal but serious involuntary and platonic bond that commits the reserve husband to taking care of the sisters-in-law and, especially, the children, should some incapacitating or fatal misfortune visit the brother.

I am a single, never-been-married man with several wives from a few select blood brothers and bosom friends. I introduce one of the wives as I invite you on a day at my work place of beautiful things.

Our vehicle is the poem ARTWORKS ALIVE, which happens to be the very first piece in Onslaught 1 in the MACHONA GRIT poetry book.

Poems in Onslaught 1 reflect some aspects of my defiant intellectual, philosophical, and spiritual Personal Integrity Fortress against those that hate me.

𝐀𝐑𝐓𝐖𝐎𝐑𝐊𝐒 𝐀𝐋𝐈𝐕𝐄
Separated
By the pond
Wife from another husband
My Dear Brother Ricky
Son Bolokiyo’s
𝘔𝘢𝘮𝘢 𝘝𝘪𝘤𝘵𝘰𝘳𝘪𝘢 and I
Met in the face of a book
In cyberspace
Celebrating her birthday
We took mikes and sang
We Dj’d
We danced
Fell on our backs in joy and laughter
We dropped the mikes
Went our separate ways
In the perennial dollar chase

𝘈𝘮𝘢𝘭𝘶𝘮𝘦 𝘈𝘭𝘦𝘮𝘦𝘭𝘢
Blazing in my head
Yandikani Lungu’ spirit
With me in
𝘔𝘶𝘻𝘶𝘯𝘨𝘶 𝘔𝘢𝘤𝘩𝘰𝘯𝘢𝘭𝘢𝘯𝘥
In the north
From where lost souls never return
Black Diamonds
Hustling to bling
In the land of
Black gold

Got to work
I’m so happy
I feel
Artworks’ eyes
On the walls
On me
I clear my head
I see
Artworks on the walls
Dance for me
Artworks’ subjects
Come to life in the frames
[…]
𝗘𝗡𝗗
©Simon Chilembo 14/12-2022

SIMON CHILEMBO  
OSLO
NORWAY
TEL.: +92525032
April 07, 2023

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𝐖𝐇𝐀𝐓 𝐈𝐒 𝐀𝐑𝐓?

𝐀𝐌𝐈𝐃𝐒𝐓 𝐁𝐄𝐀𝐔𝐓𝐈𝐅𝐔𝐋 𝐓𝐇𝐈𝐍𝐆𝐒

DISCLAIMER

I do not have any academic nor professional training in art. My articulation of what art is a function of my layman’s instinctual appreciation of things beautiful against the ugly; both in the figurative and abstract manifestations as my senses perceive it in any given situation and space, at any given time. All I know is how to think and write, and write and think. Art is what I feel. If I feel it, I can think it. If I think it, I can write it. Writing is my art, my artistic expression. Writing is what I do; all attributable to my academic training.   

WORKPLACE OF BEAUTIFUL THINGS

People do from time to time visit museums of all kinds for all kinds of recreational, educational, and research reasons. I work at Norway’s Nasjonalmuseet. The institution has proved to be an awesome literary creative’s wet dream for me as an author and poet. I get at least one goosebumps moment each day I am at work. Tens of thousands of works of art are on display throughout the eighty-nine exhibition spaces at the museum. In all their widely variable expressive forms, these artworks move me in a way that ever fills me with love and joy like I have never experienced before. Working here is a privilege I am much grateful for.

At different points in about all the exhibition spaces in the museum, there are rest stations comprising benches upon extensions of which are placed, amongst other items, wooden playing cards. The cards have various quizzes and games for the guests to have a go at as they sit and rest. I, together with Ole, a fine but ever condescending colleague young enough to be my grandson, happened to have been engaged in a discussion about various aspects of the museum when we approached one such station. Ole then unexpectedly reached out and randomly pulled out a card from the bench extension. It turned out to be a quiz card with the question: ‘What is Art?’; creating a gotcha moment that I saw Ole revelling in.

Talking about Ole’s gotcha moment, this was yet another one of those moments in which a person of European extraction comes to me with the pre-conditioned notion that Black people are not cultivated enough to appreciate the finer aspects of European culture. Anyhow, my immediate response, in this case, was, “Art is the capturing of an experiential moment in time and space in order to, perhaps, tell a story about that experience in the future. This capture can be in any form or medium according to the proclivities and talents of the artist.”
Ole, “I hear you. But you will have to elaborate more on all that you have just said!”  
Seeing as we had to attend to each of our respective duties at work then, I replied, “I shall write an essay for you, then. Deal?”
“Deal!”

My definition of art shall be both conceptual and functional. Conceptually, I know art when I perceive it. I do not have to be told. I do not have to be instructed. I know art when my senses register it. Regardless of the representational form, the sentimental response that I get from experiencing any manifestation of art that I consider as beautiful is a constant. Conversely, an unattractive, unpleasant artistic form as I experience it emotionally affects me in the same way relevant to it irrespective of the form or the representational style.

Whenever I read a storybook (or even write one) that I enjoy, my breathing rate slows down, and the total bodily relaxation I get gives me a wonderful warm feeling all over; I get goosebumps, and my palms get warmer and moist. This kind of feeling brings me immense joy. The dreamy state it gets me into sends me into a fantasy world of all things possible. If I had been, for one reason or another, going through hard times, this state brings hope home; it fills me with a sweet sense of freedom. In this state, I am invincible. This is my subjective domain for defining what beautiful art is for me as my perceptive senses – eyes, ears, skin, tongue, nose, intuition – register it, feed my hormonal system (feel-good hormones), and the latter instructing my nervous system to induce my being to act accordingly. Pure joy.

Whilst recognizing it for what it is, art that is repugnant to me is exactly that. If it makes me cringe, if it casts a shadow of pessimism over me, if it fills me with negative thoughts and associations, if it gives me a cold sweat, then it is bad art for me. There are times when I can see beauty in bad, ugly art, though. I think about the hands, or some other body parts, that created the work. Every hand shall tell its story according to its owner’s neuro-hormonal wiring and physical capabilities. One man’s apparent gory art may be another’s depiction of heaven. Beauty is in the eye of the beholder.

Functionally, art is a conveyor of messages, a storyteller; a courier of generational narratives in humanity’s dances with nature and itself over time. Art can be an instrument of change. Art can repair the once broken. Art can inspire hope, faith, trust, and love. To the extent that art is a personal expression, art may speak for its creator. Art creators have the potential to make or break society. Ask God, man’s most divisive, master-of-carnage creation. God may have created man instead, her most complex work of art. The outcome is not any better.

Art is identity. Identity may be deception obscured in art. From the outset, art may be true by intent and purpose. But when human perception and interpretation of reality are as polychotomous as there are so many people on earth, art shall be true or fallacious as to the perceptive state and cognitive capacity of the observer. Therein lies the mystique, the intrigue of art. Who am I? I am a man in love with art.

Art is some powerful stuff. Art is a human creative potential deserving to be handled with tender, loving care. At its best, art is an instrument of peace; art has the potential to stimulate reflection on the human condition. We rise, we fall; art captures all that. Art is beauty. Without beauty, life is not worth living.

Beauty moves humanity forward and higher on the scale of qualitative and quantitative improvements in life. It is not for nothing that nations of the world, interest organizations of all sorts and sizes, wealthy individuals, and many others invest heavily in the promotion, conservation, preservation, and storage of some of our most impactful artworks over the epochs into the future. Art immortalizes human experience.

Introducing our beloved Rock & Roll Norwegian Royal Family. Long live The King!

SIMON CHILEMBO  
OSLO
NORWAY
TEL.: +92525032
April 07, 2023

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Order, read, and be inspired by my latest and 9th book, 2nd poetry volume, MACHONA GRIT: Onslaught on Hate

CONSEQUENCES – A Poem

CHOICES

Akin to
Dead men walking
Free spirits
Are indifferent to pain
Suffering unbeknown
Know no barriers
Are of all times
Immortality
Is the name of their being

Akin to the wind
Dead men walking
Free spirits
Embrace space
Devoid of sentiment
Propelled by
The fair and righteous
Infused with clear conscience
Akin to that
Of saints

I made my choices
I took my chances
You made your choices
You took no chances
You the illusory chosen one
Sitter on the
Right hand of God
Centre of the universe
In your comfort zone
Delusional
You cry foul
At the world
You decry makers of you
For thorns and no roses
In your comfort zone
As if they
Your makers
Pruned the flowers
And left you in the bush
When the choice to stay was yours
Ultimately
You ought
To have seen the autumn
Cease coming your way
Aeons gone by
Grown man

You could never learn
How to harvest
Never learned
How to sow
In the first place
Akin to
Baby bird
Who never left the nest
Soundless
Mouth agape
From dusk to dawn
Season after season
Anticipating feeding time
Long gone with the elements
Catastrophe

©Simon Chilembo 2021

Akin to
Destitute baby bird
Who never left the nest
Your mamma is dead
So is your dad
I could never be them
Even if I wanted to
I could never replicate
Their parental obligations to you

Much as
I long for heiresses and heirs
My progeny
Products of my loins
Carrying my blood
In their flesh and bones
Made not like bread
You could never be them
Even if I wanted you to be
Miracles of nature
Have their limits


Ancient Greece mythology
Created Oedipus
It never worked out well for the man
Poor soul crushed
He gouged out his own eyes
Tragedy

And now
You want to
Shoot my brains out
Kill me dead already
Can you take
The ricochet
Dead men walking
Free spirits
Die only once
Forget the resurrection jive, man
It isn’t I who killed promises of
The fiasco
That is the mark of the beast of
Your comfort zones
All I ever did
Was to seek to
Blow light over your life
Or did I come out too strong
Struck like lightning
When I chose not
To plunge into
A miserable life
Of men of no vision
Succumbed to wretchedness of the earth

When you’ve attuned your eyes
To seeing
Only evil spirits in the air
You could never see
The good of my intentions
Pure as silence
In the domain of
Dead men walking
Disentangled
From thorns of love nor hate
Only drawn towards
The fair and just
Amongst the living

You wanna know
How to grow
The #Midas touch
How to
Reap gold
From what you sow
Open your eyes
To the light
Be humble
Be a little grateful
Look and learn
Dead men walking
Amongst the living
Have it all
END
©Simon Chilembo 12/10-2021

SIMON CHILEMBO
OSLO
NORWAY
Telephone: +4792525032

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PS
Order, read, and be inspired by my 7th book, Covid-19 and I: Killing Conspiracy Theories. It might save yours and your loved one’s lives.

©Simon Chilembo 2020
Project management

DECOMMISSIONED – A Poem

Overkill in My World

.. Metal falls
To the ground
Glue and tape peel off and fall
To the ground
Bricks column crumbles and falls
To the ground
I stand tall
On the ground
Plastic shrinks and falls
To the ground
I can breathe …
(Continues in the book MACHONA POETRY: Rage and Slam in Tigersburg)
©Simon Chilembo 13/07-2021

SIMON CHILEMBO
OSLO
NORWAY
TEL.: +4792525032
July 19, 2021

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PS
Order, read, and be inspired by my latest book, Covid-19 and I: Killing Conspiracy Theories.

©Simon Chilembo 2020
Project management

MAKE ME WANT TO LOVE AGAIN – A Poem

Keep Singing

Sing on
Baby
Make me
Want to love again

The way
You sing
Your voice
Ignites
Feelings
In my being
Taking me back
In time
To
An evening
In that phase
In time
When
A boy child
Transitions to
Man child

My first love
Took my hand
Urged me
To step along
With her
Into a passage
Where she’d
Teach me
How to know
When I love a woman

She embraced me
The maiden kiss
She gave me
Morphed me
Into
Adult lover man
In a young man’s shell
In an instant

Since then
Only
A certain
Kind of girl
A certain
Kind of woman
Only the
Boy child
In me
Instinctually recognizes
Moves me
Like you do

Keep on singing
I just can’t love
Just anything

Called a girl
Just anything
Called a woman

Mine is
Love discerning
Much as
Yours is
Melody exceptional
As I hear
Your song

Sing on
Baby
Make me
Want to love again

I want to love again
Because
Without love
I have
No reason for living

Without love
I go from day-to-day
Doing all
I have to do
Merely
Out of duty
Breathing
For life
With no passion
Like
Post-inferno ashes
On parched land
In depressed
Climatic states
Of being in nature
Waiting
For the storm
To wash away
Into oblivion
At sea
With
Tumultuous waters
Over barren earth
As I breathe
Dry air
Brittle
Incapacitating
My olfactory system

If I can’t
Sense
The odour of you
In the atmosphere
There can be no love
As to enliven
My immediacy

So
Sing on
Baby
Lubricate my soul
With your song nectar
Make me
Want to love again

As
I inhale deep
Hold my breath
Listen to my heart
Singing along
With you
Pumping
Your song sweetness
Into every cell
Composing the lover in me
In sync
With the love vibrations
You ooze
With your song

In this state
I feel in perfect health
I want to live for
I want to love
Only you

The boy child in me in love
Says to tell
That
For you
We shall live
We shall love
Until
Eternity
Comes knocking
On my door

Sing on
Baby

If it pleases you
Urge me
To step
Into your love corridors
If you love me too

For
I could never ever intrude
Into your love chambers
Yearning for you
Much as I do
Give me your song
Give me hope
Teach me
How you want me
To love you
Like you sing
Like you make love to your song

Only you make me
Want to love again
Sing on
Honey
Baby

END
©Simon Chilembo 05/04-2021

SIMON CHILEMBO
OSLO
NORWAY
Telephone: +4792525032
April 12, 2021

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PS
Order, read, and be inspired by my latest book, Covid-19 and I: Killing Conspiracy Theories.

©Simon Chilembo 2020
Project management

LANGUAGE AND DESCRIPTION OF EXPERIENCE: COVID-19 OUTCOMES CASE

IT IS WHAT YOU SAY

More talk on how to cope with survivor issues around outcomes of Coronavirus disease (COVID-19) on a personal level. Talk structured around principles of my COOL Coaching (Chilembo Optimal Outcomes Life Coaching) method*.
Pivotal point in awareness of language usage: “Reality manifests itself with impressions that the mind creates as from the language it processes,” Simon Chilembo.
E.g.
1. Ahmet Altan: “… like all writers, I have magic. I can pass through walls with ease.”
2. Mwamedi Semboja, Twitter account tagline: “You can travel anywhere, just by closing your eyes.”

Earlier presentations:
1. SHOULD I DIE: COVID-19 Reflections 
2. CORONA VIRUS DISEASE COVID-19 SHALL FALL: My Reason for Optimism
3. Ode to Manu Dibango: WALK SOUL MAKOSSA
4. SIMON’S KITCHEN IMPROMPTU COVID-19 QUARANTINE VEG STEW

*Subsequently edited and presented in the book Covid-19 and I: Killing Conspiracy Theories

 

SIMON CHILEMBO
OSLO
NORWAY
Tel.: +4792525032
April 14, 2020

PS
Order, read, and be inspired by my latest book, Covid-19 and I: Killing Conspiracy Theories.

©Simon Chilembo 2020
Project management

RECOMMENDATION: Do you want to start writing own blog or website? Try WordPress!

SHOULD I DIE

COVID-19 REFLECTIONS

In 1998, my father died solitary in a bachelor quarters in Tshwane, South Africa. My mother followed twenty years later. Pneumonia related complications in both cases.

©Simon Chilembo, 2018  Author, President  ChilemboStoryTelling™

©Simon Chilembo, 2020 Author, President, ChilemboStoryTelling™

There were about eleven other fellow patients in my mother’s ward at the hospital in Thabong, Welkom. She had kept everyone awake all night with her moaning in pain, crying out an unknown name all along. Nevertheless, she managed to eat her 0700RS breakfast that fateful Sunday morning; much to everyone’s delight since she hadn’t had much appetite the two previous days. After eating she fell asleep.

When my nephew, Kgosi, and I went to check on her during the morning visit hour between 1000-1100HRS, we found her sleeping peacefully. Apparently. After hearing the report by fellow patients about my mother’s restless night, we thought it wise not to immediately awaken her. She could have her full sleep during the course of the morning, and we’d come back to see her again in the afternoon as per routine.

Fifteen minutes into our arrival in the ward, an impatient family friend found that my mother was cold and lifeless. A few minutes later, a doctor declared her officially dead. She had probably died two hours earlier. No one had taken notice. It was one of those cases of “She died peacefully in her sleep”, I guess. Perhaps the same may be said about my father. He had been dead for about two days by the time his corpse was found in his residence.

I opt to convince myself that, indeed, both my parents died peacefully in their sleep when their respective times to go arrived. Neither was surrounded by their loved ones upon breathing their respective lasts.

The thought of whether or not my own death will pounce on me in solitude has been on my mind since February, 1991. I had for the first time ever gotten ill with what I later understood to have been an acute attack of the flu. Bedridden with high fever and profuse sweating for three days in my single student room, I was so weak that I was unable to lift a telephone sitting beside me on my bed to call my school or doctor in Oslo.

One week later I had recovered without having had received any medical attention. An older, more knowledgeable friend told me that I had actually had a close brush with death. Perhaps I should consider getting myself a wife, he suggested. He argued that many people who live alone tend to die unnecessarily because there is often nobody there to render immediate assistance in times of emergencies.

In the northern hemisphere spring of 1995, I had a first-time mean attack of hay fever. I didn’t know what it was at first. For many days I kept sneezing like what I thought was like a mad man. Then I began to cough as inexplicably madly. What I thought sounded like a small cat soon started mewing in my chest. This made breathing painfully difficult even at the mildest physical exertion. Then I knew I was in trouble.

At great financial cost to me that I could afford regardless, a former lover at that time then finally hastily made it possible for me to acquire an emergency cocktail of various tablets, capsules, and an assortment of asthma medicines. Had I been alone at that critical time, I could have died from pneumonia, the former lover said later.

Today, the Coronavirus disease (COVID-19) pandemic, moving at a frighteningly fast pace is threatening human life across the globe. The United Nations and national governments are taking drastic and, in some cases, Human Rights defying draconian measures in individual and concerted efforts to isolate, treat, control, and eventually effectively manage the disease. The ideal situation would be to eliminate the disease, of course. But it’ll take time to develop necessary relevant curative and preventive medicine. Researchers the world over are currently working at break-neck speeds to achieve the latter.

Millions of people are under various levels of quarantine throughout the world, depending on suspected or actual infections and severity. Much of the industrialized world is under lockdowns. People whose immune systems are compromised from before are dying rapidly. Some people are quarantined in their private homes with their near family units. I am alone in my abode.

I am feeling well and strong. I can’t help, though, but think about my mortality in the event that my health should take a sudden, COVID-19 related downturn. Some other shit could happen too. One never knows when shit will hit the fan. I can’t help but think that were I to die now, I sure would do so peacefully. I’d die with no beloveds of mine surrounding me. If it happened to my parents it might as well be the same with me. Family solidarity. Family tradition. I’m their eldest child after all.

Like my parents, I leave no great fortunes behind. It’s just as well for me that, unlike my parents, I leave no children behind. As to whether or not it’s a good thing to die as my corpse shall be in a cremation oven, I shall find out upon arrival on the other side.

In the meantime, I can’t help thinking about one of my all-time favourite songs: If I Should Die Tonight, by Marvin Gaye … (Continued in the book Covid-19 and I: Killing Conspiracy Theories)

SIMON CHILEMBO
OSLO
NORWAY
Tel.: +4792525032
March 15-16, 2020

PS
Order, read, and be inspired by my latest book, Covid-19 and I: Killing Conspiracy Theories.

©Simon Chilembo 2020

RECOMMENDATION: Do you want to start writing own blog or website? Try WordPress!

IN THE FLESH

IN THE FLESH, IN THE BLOOD

©Simon Chilembo 2020

Found myself in her territory
Saturday night
She was in full
Flesh and blood splendour
She was blonde
She was brunette
She was rouge
She was melanin rich
She was petite
She was medium
She was voluptuous

LOLLY!

Then I hear a voice say
Look
Don’t touch
Keep your mouth shut

She came to me
She caressed
My face
She kissed me
She whispered
You are so sweet
Into my right ear this time
My left ear the next time
Many times  

I held my breath
I imagined
I was in a straight jacket
I wished
I was words
In the book
Of her life story

I’m still in a daze

END
©Simon Chilembo (17/ 02- 2020) 

Simon Chilembo 
Oslo 
Norway 
Telephone: +4792525032 
February 17, 2020

LOVE AS A NEUROLOGICAL FIX

LEAVE GAYS ALONE, PART 3

Scientifically speaking, at the moment of human conception, there is no telling what perfections or imperfections shall take place as the to-be-human-being develops until birth. Not in the least as the new human being steadily grows up into adulthood and advanced old age, if so destined. There never is any guarantee that the new to-be-human-being shall in fact be born, to begin with.

Simon Chilembo Prayer for Love and Peace.
©Mona Karlsen, 2019

Depending on the genetic material quality of the sperm and the egg of the respective parents, children born can turn out to have and to be anything. Life is by default a game of chance from the start. Consideration of infinite other internal and exterior variables prior to, during the mother’s pregnancy and actual eventual birthing is crucial in this regard as well. Children can be born still. They can be born healthy and strong, weak and ever fragile, with or without arms or ears. They can be born with all kinds of everything and/ or nothing, including sexuality.

Sexuality is a manifestation of a neurological state of being; biologically determined, needless to say. Therefore, sexual orientation is not a choice, it is an intrinsic aspect of being human as naturally programmed in our genetical construct as living organisms.

To strive to change or work against human sexual orientation is as good as working against God’s work and wonders of her infinite creative potential and its expressions, both for the relative good and bad of human existence on earth. This has to hold true if indeed all born and unborn human beings are made by God in her own image. God cannot be God only for socially constructed “normal” people.

Discrimination and loathing of people whose expression of being goes contra man-made social norms essentially invalidate the existence and relevance of God. A God who “so loved the world that [she] gave [her] one and only Son, that whoever believes in [her] shall not perish but have eternal life.” It is clear that God is aware that there shall be those that shall not believe in her because of the imperfect, non-predictable nature of being human, whether made after her image or not.

Amongst other things, assuming that we are indeed manifestations of God’s creation, she imparted in us the power of will. Therefore, people can as per their natural prerogative choose or not to choose to believe in God and take the consequences. Some people will, vis-à-vis artificial social precepts, be defined or judged to be anti-God only because they cannot do otherwise but live according to the essence of their being what or who they are. That as nature, or God, designed and subsequently brought them out to life on earth.

A really genuine and benevolent God simply cannot intentionally design and give life to sexual orientation “abnormal” people to, then, punish them upon their expression and living of life according to their inherent compulsions.

In a perfect world, it can be predicted that the act of human sexual intercourse shall under “normal circumstances” take place only between males and females only. But normalcy in nature is a fluid reality that is scientifically verifiable.

To, in the name of God, deny people of the same sex the privilege to love one another and enjoy free, mutually satisfactory sexual intercourse in a free world is fundamentally an outrageously spiritually vain, anti-God endeavour. Even worse when it’s expressed in the form of parochial, archaic “it is not our culture!” utterance.

And then there is “Even animals don’t do it! Why should we allow it in our society?”

This takes the cake of ludicrous logic founded on misguided understanding, if any, of how nature really works: human neurological wiring and hormonal propulsion influencing behavioural manifestations have no direct correlation with that of non-human animals, that emanating from mutually incongruent genetical constructs and preconditions. Basic science.

Humans and non-human animals need to have a common genome in order to be socially and, by extension, sexually comparable, if not compatible. In the same vein, for example, lions and buffaloes naturally don’t socially or sexually mix because they are inherently driven by different genetic factors. On the other hand, be they straight or gay, humans of all races, colours, religions, and creed will always be socially and sexually attracted to one another as a matter of course. That as a given attribute of sharing a common and invariable human genome. Elemental science.

“Green people and magenta people simply cannot mix! Ever seen hyenas and giraffes mix together out in nature? It’s not racism. No, not at all. It’s just the way things are. It’s God’s plan, you know, my friend!”
Baloney!

If I really am made by God in her image, then, everything I do and stand for in my life is but a small manifestation of her stupendous wonders in the universe. If she made me a Human Rights driven heterosexual with passion for fairness and justice for all, including homosexuals, then I’m a happy, humble, and obedient servant. This resonates 100% with my innate being as scientifically and/ or Godly constructed man. What I preach here is the word of God, therefore.

Conversely, should God punish me for performing my instinctual human or social obligations as per her design of me, she can go to hell. Hell ought to be yet another one of her self-defeatist masochistic creations. It’s absolutely preposterous that God can create me, send me to propagate her words and deeds in the world, and then shoot me for carrying out her commands exactly according to her designs. Amen!  

SIMON CHILEMBO
OSLO
NORWAY
TELEPHONE: +4792525032
DECEMBER 05, 2019